by Rosemary Sutcliff ‧ RELEASE DATE: May 21, 1984
With the same no-nonsense vigor that is the hallmark of her historical novels for children, Sutcliff recalls her first 25 years—making only the most matter-of-fact references to her permanent crippling by Still's Disease, a rare form of juvenile arthritis. Born in 1920 in Surrey, Rosemary was forever shifting from place to place as a child: her quiet father was a naval officer, stationed in the Mediterranean ("To this day the name 'Malta' means bells to me"), then dockyards at Sheerness and Chatham. Her mother was Spartan, volatile, doting, difficult: "She was wonderful, no mother could have been more wonderful. But ever after, she demanded that I should not forget, nor cease to be grateful, nor hold an opinion different from her own, nor even, as I grew older, feel the need for any companionship but hers." Sutcliff remembers: sojourns with edgy relatives; beloved playmate Giles, imprisoned (like Rosemary at times) in his "spinal carriage," but peripatetic in his one hour of free exercise each day; terrible loneliness when isolated at home; useful stints at ordinary schools ("no child, I believe, should go to a special school who can possibly cope and be coped with in a normal one"); and grim/cheerful times at children's hospitals—where Rosemary was "the stranger whom the pack turns on." (Class-conflict was more primal than the shared experience of being handicapped.) Later came art school, with training—and technical success—as a portrait miniaturist. But "I could not cope with harsh realities in paint." So Rosemary, a late-reader who discovered book-ecstasy in L. M. Montgomery's Emily of New Moon, developed "the itch to write"—an itch that was seriously deepened by her odd 1940s love (wondrous, hurtful) for ex-RAF man Rupert, who was interested in a mÉnage à trois. . . with a non-handicapped woman as the third party. Brief (140 pp.) but rich, frank but never sloppy: a crisp little gem for Sutcliff fans and connoisseurs of childhood-memoirs.
Pub Date: May 21, 1984
ISBN: 1906562008
Page Count: 208
Publisher: Morrow/HarperCollins
Review Posted Online: May 10, 2012
Kirkus Reviews Issue: April 15, 1984
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by Rosemary Sutcliff & illustrated by Alan Lee
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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