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YOKO FINDS HER WAY

From the Yoko (Rosemary Wells) series

A terrific book to share with children preparing for their first flights as well as Yoko’s fans.

Yoko and her kimono-clad mother have an adventure at the airport at the beginning of their trip to Japan.

The security process exhausts Mama, who falls asleep at the gate, so Yoko goes by herself to the restroom. But when she exits by a different door, she and her mother have some difficulty in finding each other again. Though each runs afoul of the basic principle of search and rescue—stay put—the glitch offers Yoko, and by extension young readers, an opportunity to be independent and resourceful. Yoko finds her way to the airport police, while her mother enlists the reassurances of several helpful workers, and they are comfortably reunited. For some reason, everyone in this airport, unlike at Yoko’s school, is a cat—maybe to minimize the scariness of crowds of strangers? Icons for everything (food, stairs, elevators, terminals, airport police) give readers a chance to note details and to be observant along with Yoko as she figures out what to do. A successful conclusion for the trip and perhaps a recounting to grandmother of the adventure must wait for another book. The rich presentation, from endearing illustration to paper and design to color and touches of gold and silver, celebrates the experience of reading a book; that the story is told in both words and symbols allows young listeners to follow along in complex ways.

A terrific book to share with children preparing for their first flights as well as Yoko’s fans. (Picture book. 3-7)

Pub Date: April 8, 2014

ISBN: 978-1-4231-6512-5

Page Count: 32

Publisher: Disney-Hyperion

Review Posted Online: March 12, 2013

Kirkus Reviews Issue: Feb. 15, 2014

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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