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THE INTIMACY EXPERIMENT

An interesting pairing is poorly served by uneven pacing and excessive monologuing.

A rabbi hoping to increase attendance at his synagogue asks a former sex worker to host a lecture series called “Modern Intimacy.”

Ethan Cohen’s Los Angeles shul might be struggling to stay afloat, but he loves his work and the people in his congregation. Although the board hired him to make changes, they are uncomfortable with the nontraditional programming he uses to attract new members. Naomi Grant is a former porn star and now co–CEO of Shameless, a web platform of instructional materials to help people have healthier sex lives. Naomi’s unorthodox background has made it difficult to find an educational institution willing to let her teach in-person adult sex education classes. When Ethan meets Naomi at a professional conference, he asks if she would be willing to teach an eight-week seminar at his synagogue. Naomi seizes the opportunity; she hasn’t been to synagogue since her bat mitzvah and has been longing to reconnect with Judaism. Ethan and Naomi’s love story explicitly follows the arc of the Modern Intimacy lecture series, but the pacing suffers as a result. Their romance is full of stops and starts, driven by Danan’s choice to have an external structure rather than organic character growth move the plot. Threads are introduced, dropped, and then reappear suddenly. Several times, Naomi and Ethan reveal their emotional states by lecturing to an audience, even if the other isn’t present. It’s ironic that characters committed to intimacy disclose their feelings in long speeches instead of showing them through action or direct communication with their partner; consequently, their relationship feels flat and underdeveloped. The exploration of faith and identity will likely appeal to contemporary romance readers looking for a full-bodied, nuanced treatment of religion that is also nonjudgmental and sex-positive.

An interesting pairing is poorly served by uneven pacing and excessive monologuing.

Pub Date: April 6, 2021

ISBN: 978-0-593-10162-9

Page Count: 336

Publisher: Berkley

Review Posted Online: Feb. 9, 2021

Kirkus Reviews Issue: March 1, 2021

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE HURRICANE WARS

Slow and plodding.

A young woman with a magical ability to harness light discovers she is royalty.

Talasyn is a foot soldier for her homeland of Sardovia, which has been under attack for the past decade by the powerful and evil Night Empire, a conflict known as the Hurricane Wars. Talasyn is an orphan with no knowledge of her family, but she assumes they might be the source of her rare, magical Lightweaving talent. During a battle with the forces of the Night Empire, Talasyn spars with Prince Alaric, a fierce warrior who is the son and heir to the Night Emperor. Talasyn is sent on a covert mission into Nenavar, a nearby matriarchy that has remained neutral during the Hurricane Wars, to try to access a Light Sever which could hone and refine her magic. Instead, she discovers she is the heir to their royal throne; she and her mother, now presumed dead, disappeared under mysterious circumstances when she was a year old. Alaric follows her into Nenavar, and they discover his magical ability to cast darkness and shadows produces shocking results when mixed with her Lightweaving. A few weeks later, the Night Empire defeats Sardovia and ends the Hurricane Wars, and the novel transitions to a tedious, slow-moving story of court intrigue and diplomacy. A group of Sardovian soldiers and refugees seek asylum in Nenavar, but Talasyn’s grandmother agrees to protect them only if Talasyn agrees to join the royal court and marry Alaric. The politics surrounding the impending wedding is the primary plot for the rest of the novel, and it’s a slog. The glacially slow pacing only serves to highlight the confusing world building and underdeveloped characters. It’s unclear why Alaric and Talasyn are attracted to each other, and their tentative romance is just as stuck in a rut as the plot.

Slow and plodding.

Pub Date: Oct. 3, 2023

ISBN: 9780063277274

Page Count: 480

Publisher: Harper Voyager

Review Posted Online: July 26, 2023

Kirkus Reviews Issue: Aug. 15, 2023

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