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CONSTANCE

Despite rather superficial characters and some long-winded window dressing, a resonant and insightful novel.

Now that she is confronted with losing them, a middle-aged woman strives to finally reconcile her conflicting emotions toward her adoptive family.

Constance was named after the London street where she was found, a newborn hours old, under a hedge with only an earring as a memento of the mother who abandoned her. Both her looks (dark and wiry) and musical talent make her feel out of place in her family of plump, blue-eyed blonds. But she has no inkling of her origins until a callous cousin reveals them at the funeral of her beloved parent, Tony. Constance was, it appears, adopted by Tony and Hilda because they feared a second biological child might be deaf, like Constance’s older sister, Jeanette. The relationship between the two sisters has always been prickly, not merely due to sibling rivalry, but also to Constance’s tenacious attraction (requited as we shall see) to Jeanette’s husband, Bill. Weaving between past and present instances of family alienation, we learn that Constance has prospered as a composer for advertising and television and that she fled London for Bali years before after a brief, intense affair with Bill was exposed. The sisters have been definitively estranged since a wrenching encounter at the time of Hilda’s death. But now Jeanette emails Constance to inform her that she is dying of cancer and that it is time for a final reckoning. In a subplot that meshes gracefully, Roxana, newly arrived in London from Uzbekistan, is fleeing political unrest that has claimed the life of her brother. She’s determined to become an “English girl” even if right now her sole source of income is lap dancing. When she meets Noah, Bill and Jeanette’s 20-something son, Roxana’s life will intertwine with Constance’s in ways that shed light on the dislocation of both women. Constance’s belated investigation into her birth circumstances adds suspense to an otherwise meandering and leisurely narrative.

Despite rather superficial characters and some long-winded window dressing, a resonant and insightful novel.

Pub Date: Aug. 29, 2013

ISBN: 978-1-4683-0264-6

Page Count: 464

Publisher: Overlook

Review Posted Online: July 6, 2013

Kirkus Reviews Issue: July 15, 2013

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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