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GUSTON IN TIME

REMEMBERING PHILIP GUSTON

As good an introduction to classic Guston as one will find, not merely as an artist but as an intellectual.

A concise interpretive biography and memoir of the renegade Abstract Expressionist by his friend, the late novelist Feld (Zwilling’s Dream, 1999, etc.), for many years a Kirkus reviewer.

Philip Guston (1913–80) is perhaps best known for his scandalous conversion to figurative art in 1970 at the height of his career as an Abstract Expressionist, contemporary of Willem de Kooning and Mark Rothko. Feld’s account of Guston, while briefly covering his early life and career as a card-carrying AbEx, is primarily an affectionate homage to the artist and the works he created after his change of style, the period when Feld (who died in 2001) knew him personally. Punctuated by letters from Guston that allow the artist to speak for himself, the author describes and analyzes the deeply personal works from the last decade of Guston’s life that he believes are his friend’s landmark paintings. Feld escorts the reader through Guston’s idiosyncratic iconography and in a loosely chronological fashion easily moves from anecdote to analysis of paintings. Guston’s intellect, his curiosity, his generosity, his “nearly limitless appetite for talk,” and his insecurity are all fodder for this candid tale of an artist whose late works have acquired a contemporary influence inconceivable at the time of their creation. Feld’s effortless prose sets the reader in the studio, in the kitchen, in an Italian restaurant, as he captures his friend’s animus. An added bonus is the inclusion of the pair’s correspondence (minus the Guston letters quoted in the main text) in an appendix, which allows the reader to observe the evolution of this energetic intellectual and personal friendship.

As good an introduction to classic Guston as one will find, not merely as an artist but as an intellectual. (18 b&w photos) (A major Philip Guston retrospective is appearing now through September at the San Francisco Museum of Modern Art; October through January at the Metropolitan Museum of Art; and at the Royal Academy in London in 2004.)

Pub Date: Sept. 1, 2003

ISBN: 1-58243-284-8

Page Count: 176

Publisher: Counterpoint

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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