by Ross MacDonald ; illustrated by Ross MacDonald ‧ RELEASE DATE: Oct. 1, 2013
Kids will come for the monster and the disembodied hand. They’ll stay for the story.
A good old-fashioned man/appendage love story for the ages.
Henry’s just your typical Frankenstein’s monster, “bits-and-pieces kind of guy.” Prone to having his body parts wander off without him, he’s closest to his right hand. Alas, Henry fails to appreciate the hand’s work, cruelly exploiting its helpful little green digits, sending it out to start the car on cold mornings and making it get up to change the channel. Little wonder that, one day, he finds that it has taken off for the big city. There, it saves a rich man from certain death and instantly becomes the talk of the town. Yet at the end of the day, even fame and fortune cannot compare to a good friend who knows you like the back of…well, you know. The combination of a rags-to-riches tale and the monster genre might appear jarring in the abstract, but MacDonald manages to make the enterprise work. The text is warm and friendly, though adults of a certain age will have a hard time not thinking of Thing from The Addams Family. Meanwhile, the art takes advantage of classic 1930s tropes, from crooked caps and newsboys to mailrooms and wealthy socialites.
Kids will come for the monster and the disembodied hand. They’ll stay for the story. (Picture book. 3-7)Pub Date: Oct. 1, 2013
ISBN: 978-1-4197-0527-4
Page Count: 48
Publisher: Abrams
Review Posted Online: Aug. 27, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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