by Ross Montgomery ‧ RELEASE DATE: Sept. 13, 2016
Humor carries the day in this British import.
The shrimplike being washed up near Caitlin’s island home has surprising characteristics.
Ten-year-old, white, possibly dyslexic narrator Caitlin is a social and academic misfit. Her only friend, Frank, is a would-be fisherman enlisted to take her by boat to and from school. At home, her accomplished parents are too distracted to attend to her. A massive storm before Caitlin’s terrible last day of school results in hundreds of dead jellyfish and drops an odd creature, its white, malleable shell covered in strange symbols, into the marshes. Recognizing it as something special, Caitlin saves it from dehydration. As the creature learns to talk, it latches on to Caitlin’s explanation (perigee) of a photograph of the full moon in her astrobiologist father’s book. Unfortunately Perijee’s outsized self-defense mechanism brings about a minor apocalypse, flooding villages and towns and forcing most of the country’s population into refugee camps. Caitlin’s awkwardness is sometimes cringeworthy, but her warmhearted loyalty to Perijee makes her bravely seek to rescue him from those who want to destroy him (nearly everyone). A sinister cult of little old ladies figures in the climax, along with Frank the fisherman and another resourceful girl with a knack for thievery. Montgomery’s jam-packed narrative doesn’t slow for an instant in this exaggeratedly comic drama. While there are just a few thoughtful moments, there are several irresistibly funny ones.
Humor carries the day in this British import. (Science fiction. 8-11)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-55397-4
Page Count: 224
Publisher: Wendy Lamb/Random
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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by Natalie Babbitt ‧ RELEASE DATE: Nov. 1, 1975
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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by Rebecca Bond ; illustrated by Rebecca Bond ‧ RELEASE DATE: July 7, 2015
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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