Humor carries the day in this British import.
The shrimplike being washed up near Caitlin’s island home has surprising characteristics.
Ten-year-old, white, possibly dyslexic narrator Caitlin is a social and academic misfit. Her only friend, Frank, is a would-be fisherman enlisted to take her by boat to and from school. At home, her accomplished parents are too distracted to attend to her. A massive storm before Caitlin’s terrible last day of school results in hundreds of dead jellyfish and drops an odd creature, its white, malleable shell covered in strange symbols, into the marshes. Recognizing it as something special, Caitlin saves it from dehydration. As the creature learns to talk, it latches on to Caitlin’s explanation (perigee) of a photograph of the full moon in her astrobiologist father’s book. Unfortunately Perijee’s outsized self-defense mechanism brings about a minor apocalypse, flooding villages and towns and forcing most of the country’s population into refugee camps. Caitlin’s awkwardness is sometimes cringeworthy, but her warmhearted loyalty to Perijee makes her bravely seek to rescue him from those who want to destroy him (nearly everyone). A sinister cult of little old ladies figures in the climax, along with Frank the fisherman and another resourceful girl with a knack for thievery. Montgomery’s jam-packed narrative doesn’t slow for an instant in this exaggeratedly comic drama. While there are just a few thoughtful moments, there are several irresistibly funny ones.
Humor carries the day in this British import. (Science fiction. 8-11)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-55397-4
Page Count: 224
Publisher: Wendy Lamb/Random
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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