Humor carries the day in this British import.
The shrimplike being washed up near Caitlin’s island home has surprising characteristics.
Ten-year-old, white, possibly dyslexic narrator Caitlin is a social and academic misfit. Her only friend, Frank, is a would-be fisherman enlisted to take her by boat to and from school. At home, her accomplished parents are too distracted to attend to her. A massive storm before Caitlin’s terrible last day of school results in hundreds of dead jellyfish and drops an odd creature, its white, malleable shell covered in strange symbols, into the marshes. Recognizing it as something special, Caitlin saves it from dehydration. As the creature learns to talk, it latches on to Caitlin’s explanation (perigee) of a photograph of the full moon in her astrobiologist father’s book. Unfortunately Perijee’s outsized self-defense mechanism brings about a minor apocalypse, flooding villages and towns and forcing most of the country’s population into refugee camps. Caitlin’s awkwardness is sometimes cringeworthy, but her warmhearted loyalty to Perijee makes her bravely seek to rescue him from those who want to destroy him (nearly everyone). A sinister cult of little old ladies figures in the climax, along with Frank the fisherman and another resourceful girl with a knack for thievery. Montgomery’s jam-packed narrative doesn’t slow for an instant in this exaggeratedly comic drama. While there are just a few thoughtful moments, there are several irresistibly funny ones.
Humor carries the day in this British import. (Science fiction. 8-11)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-55397-4
Page Count: 224
Publisher: Wendy Lamb/Random
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
File under “laugh riot.”
A rogue spell-check program’s bid to transform all life-forms into that eminently useful office item, the paper clip, touches off a fresh round of lunar lunacy.
Predicated on the entirely reasonable premise that eliminating all spelling and grammar errors everywhere would logically lead to the necessity of exterminating carbon-based life in the universe, this third series entry combines high stakes with daffy banter and daring exploits. CheckMate—a chipper, jumped-up editing program—has invented the Transmogratron, a giant laser that will fulfill its ultimate goals in both the cyber world and “meatspace.” Facing challenges as random as prankster lunar unicorns and a disarmingly motherly Motherboard, scowling First Cat joins a motley crew of diversely carbon- and silicon-based allies, led by the pearlescent Queen of the Moon. They’re in a race to the finish—diverted occasionally by, for instance, a relentlessly punny comic-book interlude featuring a pair of literal and figurative Pool Sharks. They ultimately triumph thanks to teamwork and moxie. Following a celebratory party and toasts to “new friends…and steadfast comrades” (and, of course, “MEOW”), the story’s energetic, brightly colored panels close with a reveal of the next volume. (“I always hate it when comics end by announcing a sequel. SO CRINGE!” declares an authorial stand-in.) It can’t come too soon.
File under “laugh riot.” (Graphic science fiction. 8-11)Pub Date: Nov. 5, 2024
ISBN: 9780063315280
Page Count: 272
Publisher: HarperAlley
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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