by Ross Perlin ‧ RELEASE DATE: Feb. 20, 2024
A convincing argument for linguistic multiplicity.
A spirited celebration of a polyglot city.
Linguist Perlin, co-director of the Endangered Language Alliance and author of Intern Nation, makes a strong case for the need to support endangered, Indigenous, and primarily oral languages. Of more than 7,000 languages, he reports, more than half are likely to disappear over the next few centuries. Many survive in New York City, which the author portrays with abundant evidence as a city “of unprecedented linguistic diversity.” Besides offering an overview of New York’s linguistic history, Perlin follows dedicated, impassioned speakers of endangered languages from Asia, Europe, Africa, and the Americas who are each “trying to maintain or revitalize their languages” by compiling dictionaries, transcribing and translating recorded texts, and popularizing linguistic and cultural traditions. Among some 700 Seke speakers, for example, originally from five villages in the Mustang region of northern Nepal, more than 100 live (or have lived) in an apartment building in Brooklyn. For the last three years, Perlin has met regularly with one of them, either in Brooklyn or at ELA’s office, “gradually adding words, definitions, and examples to a dictionary-in-progress; homing in on single points of grammar; or carefully transcribing and translating a previously recorded text.” The other languages the author examines are Yiddish, now spoken mainly by Hasidim; Nahuatl, once the lingua franca of Mexico, with “a long and extraordinary history as a written language”; Wakhi, “an endangered Pamiri language spoken by around forty thousand people in the remote high mountain region where Tajikistan, Pakistan, Afghanistan, and China converge”; N’ko, a writing system created in West Africa in 1949 that “unites Manding-language speakers from what is today Guinea, Mali, and Ivory Coast” and that has since spread globally; and Lenape, the language of Indigenous tribes in Manhattan. New York’s cultural richness, Perlin asserts, is nourished by languages.
A convincing argument for linguistic multiplicity.Pub Date: Feb. 20, 2024
ISBN: 9780802162465
Page Count: 432
Publisher: Atlantic Monthly
Review Posted Online: Oct. 20, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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