An engaging tale that wears its sincerity proudly and offers readers spiritual sustenance.
In this novel, a patient tries to save a man through friendship and love—with some angels looking on and help from Middle Eastern wisdom.
Willie Owen is in a very bad way. He got a taste of happiness as a talented high school and college football star, but that soured quickly in the face of his dysfunctional upbringing. His mother demeaned him; his father was distant; and the two eventually divorced. As is often the case, Willie blamed the problems mostly on himself. His own marriage is no better; he lives like a ghost in the same house with his wife and two kids. As a custodian at the M.D. Anderson Cancer Center in Houston, he meets Wisam, a young man from Lebanon who is dying of lung cancer. For Wisam, the glass is always half—no, three-quarters—full. In fact, he is a self-appointed angel figure, determined to teach Willie how to be happy. After many painful, even slogging chapters—including Wisam’s family’s horrifying story—Willie may be on the path to success. Abdullaoglu is clearly an author who writes from the heart. The only striking physical action occurs when Willie gets fed up with the rude and cynical Dr. Stevens, the book’s foil, and decks him. This is a philosophical novel that poses the question (among others): How can a person find happiness? Or, put another way, how can one break the chains that years of unhappiness forge? One thinks of E.A. Robinson’s haunting lines “Familiar as an old mistake, / And futile as regret.” That is the Willie who agonizes in silence, a case study in the corrosive effects of anger and the possible salvation that lies in forgiveness. These are not new ideas. One could easily call them bromides, and Willie’s arc may seem a bit simple and obvious to many readers. But the author has created two strong characters in Willie and Wisam and added some genuine wisdom and intriguing developments.
An engaging tale that wears its sincerity proudly and offers readers spiritual sustenance.Pub Date: July 1, 2020
ISBN: N/A
Page Count: 295
Publisher: Self
Review Posted Online: Aug. 3, 2020
Kirkus Reviews Issue: Oct. 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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