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MOST MARSHMALLOWS

An amusing, subdued story with exemplary illustrations, this sweet flight of fancy will find a young audience eager to...

A confection of marshmallows harbors quixotic dreams of greatness.

“Most marshmallows don’t grow on trees,” starts this understated story. With quiet humor, the text informs children that, like them, “Most marshmallows are mostly born to one sweet parent or two,” and that “They go to school most mornings / and learn to be squishy and how to stand in rows.” Most marshmallows seem to navigate with equanimity the realities and dramas of domestic life, like a bursting backpack or a dinner tantrum. “But some marshmallows somehow secretly know / that all marshmallows / can do anything / or be anything / they dare to imagine.” The inventive, sly, mixed-media illustrations provide wit and delight only hinted at by the spare, idiosyncratic prose. A mixture of paper collage, photographs of objects (like a cardboard dinner table loaded with plastic carrots), and hilariously expressive line drawings on real marshmallows pack beauty, tension, and drama into each page. An unnecessary throughline involving dragons slightly mars the overall feel of the story, especially the jarring ending in which a marshmallow knight breathes fire at one; the humor and kid appeal work perfectly without that bit of pandering.

An amusing, subdued story with exemplary illustrations, this sweet flight of fancy will find a young audience eager to devour it. (Picture book. 3-7)

Pub Date: April 30, 2019

ISBN: 978-1-4521-5959-1

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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