A tale that blooms in its realism and message of kindness and love.
Joy emerges in the discovery of small things in the world.
In this third story about effervescent Miyuki and her calm, kind grandfather, Miyuki wants to understand what Grandpa is doing as he dances through tai chi positions and then sits still and quiet. Grandpa guides bouncy Miyuki through the steps of meditation as they walk through the gardens, inviting her to look deeply at the light on the river, the fluffy clouds in the sky, the raindrops, and more. Miyuki, her mind wandering and so unaware of what’s been happening, asks persistently, “when will we meditate?” A compelling double-page spread places a small Miyuki and Grandpa up and off to the side as he reminds her of all that they have contemplated, communicating to young readers that we are but a part of our world—not the whole of it. Soon Miyuki understands and says, “Grandpa, doesn’t it feel good to be here right now?” The stylized nature of these highly patterned, textured illustrations plays with size and scale, light and color, to immerse readers in the delight and peace inherent in meditation, contemplation, and reflection. Galliez and Ratanavanh once again capture the simplicity of Miyuki’s inner journey, and in so doing they invite young readers, especially those as vivacious and colorful as young Miyuki, to take part in meditation.
A tale that blooms in its realism and message of kindness and love. (Picture book. 4-6)Pub Date: Sept. 1, 2020
ISBN: 978-1-61689-901-1
Page Count: 32
Publisher: Princeton Architectural Press
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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