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WE WERE ONCE A FAMILY

A STORY OF LOVE, DEATH, AND CHILD REMOVAL IN AMERICA

A sobering call to action demanding reform of the child-protective and foster-care regimes.

A searching examination of a foster-care system that harms children more than it helps.

Asgarian, who covers the courts and the law for the Texas Tribune, takes as her point of departure a story from 2018, when six adopted children and their adoptive parents died after those parents, fleeing child-abuse investigations, drove over a cliff into the Pacific Ocean. The story made the news for all the usual sensational reasons, not least that one of the children had become a social media meme with a photograph that showed him hugging a police officer during an anti-racism protest. Look closely at that photograph, notes the author, and it’s clear that the child is begging for help. “The reality was that the children had not been okay,” she writes. “They had not been cared for. They suffered, and then they died. They were murdered.” The children were all Black, with adoptive White parents who’d been gaming the system to earn income as providers while keeping them half-starved. Asgarian deepens the story with an examination of the trajectory of an older sibling who had aged out of the foster system and been placed in a residential treatment center. As the author notes, that is all too often a direct path to prison. It certainly was in the case of the young man, who years later may have his own child separated from the family and placed in foster care. Asgarian clearly shows how the dysfunctional system hinges on racist assumptions, including that “these six Black children must be better off with the white women who adopted them” than with their Black birthparents or relatives, even though responsible relatives were available and willing to help. Asgarian closes by pointing out how the approach that punishes needy families instead of working to improve their conditions “does nothing to help the children,” and she is entirely convincing in that conclusion.

A sobering call to action demanding reform of the child-protective and foster-care regimes.

Pub Date: March 14, 2023

ISBN: 9780374602291

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: Jan. 20, 2023

Kirkus Reviews Issue: Feb. 15, 2023

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE MINOTAUR AT CALLE LANZA

An intriguing but uneven family memoir and travelogue.

An author’s trip to Venice takes a distinctly Borgesian turn.

In November 2020, soccer club Venizia F.C. offered Nigerian American author Madu a writing residency as part of its plan “to turn the team into a global entity of fashion, culture, and sports.” Flying to Venice for the fellowship, he felt guilty about leaving his immigrant parents, who were shocked to learn upon moving to the U.S. years earlier that their Nigerian teaching certifications were invalid, forcing his father to work as a stocking clerk at Rite Aid to support the family. Madu’s experiences in Venice are incidental to what is primarily a story about his family, especially his strained relationship with his father, who was disappointed with many of his son’s choices. Unfortunately, the author’s seeming disinterest in Venice renders much of the narrative colorless. He says the trip across the Ponte della Libertà bridge was “magical,” but nothing he describes—the “endless water on both sides,” the nearby seagulls—is particularly remarkable. Little in the text conveys a sense of place or the unique character of his surroundings. Madu is at his best when he focuses on family dynamics and his observations that, in the largely deserted city, “I was one of the few Black people around.” He cites Borges, giving special note to the author’s “The House of Asterion,” in which the minotaur “explains his situation as a creature and as a creature within the labyrinth” of multiple mirrors. This notion leads to the Borgesian turn in the book’s second half, when, in an extended sequence, Madu imagines himself transformed into a minotaur, with “the head of a bull” and his body “larger, thicker, powerful but also cumbersome.” It’s an engaging passage, although stylistically out of keeping with much of what has come before.

An intriguing but uneven family memoir and travelogue.

Pub Date: April 2, 2024

ISBN: 9781953368669

Page Count: 144

Publisher: Belt Publishing

Review Posted Online: Nov. 17, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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