by Roxanne Orgill & illustrated by Leonard Jenkins ‧ RELEASE DATE: Sept. 1, 1997
Less prettified than Alan Schroeder's recent Satchmo's Blues (1996), the story of how Louis Armstrong got his first horn. As Orgill tells it in her first book for children, Armstrong himself gave conflicting accounts of how he came by his first horn; here, his first instrument was actually a bugle that he played in reform school, where he was sent after being arrested for shooting a .38 in the street on New Year's Eve. Later the school's band director entrusted him with a battered cornet, and Louis went on to lead the band in a triumphant parade through his old New Orleans neighborhood. The dark, edgy, mixed-media paintings, with lurid yellow highlights, give an almost palpable sense of the rough poverty and swirling nightlife of Armstrong's early environment. It's not a book that can stand on its own; readers will need to have this fragment of Armstrong's life put into context in order to understand where sheer talent, determination, and luck eventually brought him. Orgill's telling has immediacy, however, and it has moments (e.g., when Louis snags himself a nickname) that are electric. (Picture book/biography. 5-8)
Pub Date: Sept. 1, 1997
ISBN: 0-395-75919-6
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1997
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by William Miller & illustrated by Rodney Pate ‧ RELEASE DATE: May 1, 2004
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
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by William Miller & illustrated by Charlotte Riley-Webb
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by William Miller & illustrated by Leonard Jenkins
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by Dolly Parton & Erica S. Perl ; illustrated by MacKenzie Haley ‧ RELEASE DATE: Oct. 1, 2024
A holiday outing that doesn’t quite satisfy.
In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.
Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.
A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)Pub Date: Oct. 1, 2024
ISBN: 9780593755006
Page Count: 40
Publisher: Penguin Workshop
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
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by Dolly Parton with Erica S. Perl ; illustrated by MacKenzie Haley
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by Dolly Parton & illustrated by Judith Sutton
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