by Roxanne St. Claire ‧ RELEASE DATE: July 10, 2012
Heavy-handed exposition, flat characters and trite dialogue don't elevate this outing past forgettable.
An unsatisfying blend of science fiction and Gossip Girl marks St. Claire's young adult debut.
Annie Nutter is so invisible no one notices or cares when their backpacks hit her in the face as they climb on the school bus. After her mother reveals that Annie's father could have been Jim Monroe, the billionaire owner of a chain of plastic-surgery clinics, Annie wonders if she'd trade her own father, an inventor with wacky ideas, for a different life. Predictably, one of her father's inventions sends Annie into another universe. Now Annie Nutter is Ayla Monroe: rich, beautiful and A-list. Ayla's friends are shallow shoplifters, and her hot boyfriend just wants sex; Jim Monroe is a mustache-twirling villain. Then Annie falls for Charlie Zelinsky, a genius who was homeless for a short time. The author tries to ground the creaky body-swap concept in real science: When Charlie learns and accepts Annie's story, he implausibly uses physics and long explanations to replicate her father's invention. Of course, this makes Annie question whether she should stay or go.
Heavy-handed exposition, flat characters and trite dialogue don't elevate this outing past forgettable. (Science fiction/chick-lit. 14-17)Pub Date: July 10, 2012
ISBN: 978-0-385-74156-9
Page Count: 368
Publisher: Delacorte
Review Posted Online: May 29, 2012
Kirkus Reviews Issue: June 15, 2012
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by Mariko Tamaki ; illustrated by Yoshi Yoshitani ‧ RELEASE DATE: July 27, 2021
Equal parts entertaining and thought-provoking.
Sixteen-year-old Mandy considers herself the anti-Starfire: Unlike her scantily clad superhero mother, she doesn’t have superpowers, can’t fly, and doesn’t even own a bathing suit.
Mandy dyes her hair and dresses in all black to further call out how different they are. Mandy’s best friend, Lincoln, whose parents were born in Vietnam, insightfully summarizes this rift as being down to an intergenerational divide that occurs whether parents and children come from different countries or different planets. Mandy tries to figure out what kind of future she wants for herself as she struggles with teenage insecurities and bullying, her relationship with her mom, and her budding friendship (or is it something more?) with her new class project partner, Claire. Yoshitani’s vibrant and colorful stylized illustrations beautifully meld the various iterations of Starfire and the Titans with the live-action versions of those characters. Together with Tamaki’s punchy writing, this coming-of-age story of identity, family, friendship, and saving the world is skillfully brought to life in a quick but nuanced read. These layers are most strongly displayed as the story draws parallels between cultural differences between the generations as evidenced in how the characters address bullying, body positivity, fatphobia, fetishization and sexualization, and feminism. This title addresses many important concepts briefly, but well, with great pacing, bold art, and concise and snappy dialogue. The cast is broadly diverse in both primary and secondary characters.
Equal parts entertaining and thought-provoking. (Graphic fantasy. 14-16)Pub Date: July 27, 2021
ISBN: 978-1-77950-126-4
Page Count: 184
Publisher: DC
Review Posted Online: Aug. 10, 2021
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by Jillian Tamaki & Mariko Tamaki ; illustrated by Jillian Tamaki
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by James Patterson & Gabrielle Charbonnet ‧ RELEASE DATE: May 22, 2017
Yet another bland, half-baked dystopian exercise.
A teen girl goes looking for her missing twin sister.
In the absence of their parents, Cassie and Becca, both white, are doing their best to tend to the family farm. One morning, Cassie wakes up to discover Becca is missing. Meanwhile, Becca wakens in a horrific children’s prison, in which the detained are forced to fight to the death. As Cassie searches for her sister, Becca does her best to survive the torture her captors put her through. The novel is set in a future in which populations are organized geographically into isolated cells. The government controls all the information going in and out. More lurks beneath the surface, and the book sets up further installments, but few readers will feel the need to keep reading. The world is poorly built, the characters are dreadfully thin, and the plotting is drastically uneven. When Cassie and Becca are finally reunited, readers will have little reason to celebrate: their relationship is so thinly sketched they barely feel like sisters. The torture sequences in the teen prison are gratuitous and dreary. A last-minute twist is easily predicted, making the slow, tedious burn toward the reveal and the barely distinguishable characters all the more intolerable.
Yet another bland, half-baked dystopian exercise. (Dystopian adventure. 14-17)Pub Date: May 22, 2017
ISBN: 978-0-316-43131-6
Page Count: 352
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
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by James Patterson & Keir Graff ; illustrated by Alan Brown
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