In this 1960s-set thriller, a series of murders unfolds before an upcoming Beatles concert in San Francisco.
With Beatlemania taking over the world, the English rock band has a concert lined up in California. San Franciscans are in a frenzy, though some protest the group for John Lennon’s assertion that the Beatles are more popular than Jesus. Inspectors Henry Nash and Ross Belcher have other priorities, namely the bloody body lying on an apartment couch. The victim, Danny Gomez, was the “axeman” for a rock act set to open for the Beatles. The investigation leads the inspectors to a handful of musicians who steal songs and bootleg records. The pair moreover question offbeat locals, such as hippies dropping LSD, which, in ’66, is still legal. But things quickly turn dangerous, as someone fires shots at Nash during an interview, and a few people the inspectors are looking for or have spoken with turn up dead. Closing this thorny case won’t be easy, especially as cops anticipate a riot during the “Beatles Go Home” dance concert—on the same night that the British rock stars are performing. Chaney masterfully incorporates the real-world setting into the tale. Racial unrest, for one, is palpable, from the Black community protests against poverty and police harassment to residual World War II–fueled hatred of Japanese people. This provides the backdrop for a noirish detective story complete with copious deception and dishy one-liners: “Pull my other leg, it’s got bells on,” Belcher tells a man spinning tales. Along with a few genuinely unexpected deaths, memorable scenes include a rock-inspired assault. The inspectors fight off a suspect wielding a plugged-in guitar, as the amplifier belts “electric screams.” Nash, though not the most likable hero, faces an unusual hurdle, as his senses-blending synesthesia sometimes proves a hindrance. He guides the increasingly convoluted plot to a final-act exposition that, while dizzying, effectively wraps up the crime-riddled narrative.
A historically rich mystery with a delectable noir touch.