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SEVEN TIMES DEAD

An enthralling story, darkly thoughtful and convincing.

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An American salesman vacationing in France is mistaken for someone else and accused of murder in Chaney’s thriller.

Richard Slade is a 43-year-old pesticide salesman from St. Louis, Missouri—or, as he memorably and melodramatically puts it, a “merchant of death.” In fact, his life is painfully drudging. He wrestles with the torpor of his “existential quandary,” even taking up poetry as a bulwark against his life’s banality. When Slade decides to take a short vacation to Nice to see an old friend named Septimus Morgan, he ends up with far more excitement than he bargained for in this taut drama. A mysterious woman accosts him at a bar, pointing a gun at him and forcing a flash drive into his coat pocket. Later, he is arrested by French police for her murder, and while being transported by them somewhere, the officers are shot by three masked gunmen who clearly mean to kill Richard as well. He manages to escape, only to find himself on the run from both French authorities and criminals about whom he knows nothing. The author magisterially exercises literary restraint—the reader is told enough to avoid exasperating bewilderment but is, like Richard, kept in a state of suspenseful confusion. Chaney’s prose is artfully terse and punchy—here, Richard struggles to come to grips with his painful predicament: “The only fitting end to the tale would be if I suddenly woke up in a psychiatric ward, shackled to a bed. That would have been the best of all possible worlds. To know that I had gone mad and the rest of the world was still reliably sane.” The plot is more than a touch convoluted, ultimately folding in the CIA, British intelligence, and terrorists looking to manufacture weapons-grade mustard gas. Somehow, though, it all feels plausible enough, and the author resists the urge to transform his protagonist into some sort of badass soldier-of-fortune. This is an engrossing tale, exciting and terrifying. Even as it becomes excessively labyrinthine, the work remains impressively intelligent.

An enthralling story, darkly thoughtful and convincing.

Pub Date: Dec. 1, 2024

ISBN: 9781737540632

Page Count: 230

Publisher: Self

Review Posted Online: Nov. 18, 2024

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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NOW OR NEVER

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.

The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Pub Date: Nov. 5, 2024

ISBN: 9781668003138

Page Count: 320

Publisher: Atria

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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