Next book

WINGED CREATURES

Songwriter and screenwriter Freirich’s debut novel offers an intriguing look at unique yet interrelated patterns of trauma...

A restaurant shootout disrupts ordinary lives, with extraordinary consequences.

When a gunman opens fire in a small restaurant, he kills two men and sends five of the survivors on a collision course with grief. Dr. Bruce Laraby misses the slaughter by minutes when he stops for coffee on his way to his shift at the emergency room. After the two gunshot victims die on his watch, his self-image as a competent doctor is destroyed; to compensate, he gambles with his wife's health to prove he deserves her love. Meanwhile, Anne Hagen and her high-school friend, Jimmy Jaspersen, form a conspiracy of silence after Anne's father is shot before their eyes. Anne transmutes her loss into religious ecstasy, while her pressure on Jimmy leads him to contemplate suicide. Driving-school owner Charlie Archenault marvels at surviving the shooting with a graze wound; he takes his good luck as a sign that he should gamble his life's savings at the roulette table. Carla Davenport, a struggling single mother and the restaurant's cashier, is so traumatized by the shooting that she neglects her croupy, ailing baby; wrapped in a fantasy that Dr. Laraby will rescue her, she loses her son to the child-welfare system. Against the backdrop of shabby strip malls, fast-food joints and the name-brand trappings that make up the characters’ everyday lives, an otherworldly, transcendent force—possibly the “winged creatures” of the title—guides each of the five survivors through debilitating trauma to healing and redemption. While the episodic shifts of perspective and the ubiquitous product placement shout movie adaptation—confirmed by the book cover, which announces a “major motion picture” in the works—the story builds to a suspenseful climax. The denouncement walks a thin line between happy-ever-after and disaster.

Songwriter and screenwriter Freirich’s debut novel offers an intriguing look at unique yet interrelated patterns of trauma and recovery.

Pub Date: Jan. 1, 2008

ISBN: 978-0-312-37895-0

Page Count: 288

Publisher: St. Martin's Griffin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2007

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 20


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

NORMAL PEOPLE

Absolutely enthralling. Read it.

Awards & Accolades

Likes

  • Readers Vote
  • 20


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019


  • New York Times Bestseller


  • IndieBound Bestseller

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

Categories:
Next book

THE BLUEST EYE

"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.

Pub Date: Oct. 29, 1970

ISBN: 0375411550

Page Count: -

Publisher: Holt Rinehart & Winston

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: Oct. 1, 1970

Categories:
Close Quickview