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THE KEEPER OF THE STONES

Both gripping and lyrical—a fine time-travel tale.

Awards & Accolades

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After time traveling to the Bronze Age, a girl must save a community and her brother in this debut middle-grade novel.

The family farm in Wiltshire, England, where 12-year-old Lizzie Greenwood lives, stands close to the remains of an ancient stone circle called the Bull Stones. Her brother, Daniel, 14, is fascinated by the circle and a nearby Bronze Age site being excavated by archaeologists. As the two investigate the area on a winter solstice evening, they’re charged by a herd of eerie bulls. Lizzie and Daniel flee between the stones—and find themselves in broad summer daylight some 3,000 years ago near a village of roundhouses. The siblings learn that the villagers are called the Horse People, and their enemy is the Bullmaster, who kills women and children and steals men’s souls for his slave army. The Horse People’s queen could stop him, but she’s been mortally wounded by a bull. When the Bullmaster seizes Daniel, Lizzie realizes she must use the stones to prevent disaster by traveling back and forth through time. Time travel is a compelling theme, and Kay handles it well in her book. Lizzie’s trips through the stones make storytelling sense, as when she gets penicillin—used on her family’s farm to treat animals—to save the queen. Lizzie herself is brave and appealingly thoughtful as she wrestles with the question of whom to trust. Her special connection to the stones helps explain her ability to understand and speak the ancient language, often a sticking point in time-travel stories (although the supposedly Bronze Age tongue is closer to Chaucer’s Middle English). Kay’s writing is another pleasure, atmospheric and poetic even when describing small details: “Sheep’s wool straggles of smoke clinging to the air.” The black-and-white illustrations by debut artist Rothaus are skillfully shaded and composed, adding to the book’s sense of mystery.

Both gripping and lyrical—a fine time-travel tale.

Pub Date: March 16, 2020

ISBN: 978-1-910237-58-8

Page Count: 204

Publisher: Hayloft Publishing Ltd

Review Posted Online: May 8, 2020

Kirkus Reviews Issue: July 1, 2020

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STEALING HOME

An emotional, much-needed historical graphic novel.

Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.

Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.

An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5253-0334-0

Page Count: 112

Publisher: Kids Can

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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