Next book

CROSSING OVER

A MEXICAN FAMILY ON THE MIGRANT TRAIL

First-rate reporting on an important, controversial subject.

A thoughtful, politically charged narrative of travel in a little-known but much-discussed American subculture.

There are now, writes Pacific News Service editor and NPR correspondent Martínez, as many as seven million Mexican migrant laborers living in the US. A disproportionate number come from small, mostly Indian villages and towns in the state of Michoacán, such as the small city of Zamora. “No one,” he writes, “believes that there’s a future here, neither the big-time landowner nor the cholo. There’s a past: this is where your folks were born, where the streets smell like childhood and the traditional fiestas are still celebrated more or less the way they were before the Conquest. But a future? The more Zamora is aware of the world beyond the little green valley . . . the more Zamora wants to shed its skin.” It does so by sending its people, young and old, across the border, mostly illegally, where the hardships are many but the potential rewards—including citizenship for the lucky few and rates of pay that are princely by Mexican standards if unimaginably low to middle-class gringos—outweigh the risks. Martínez begins and ends his voyage in Michoacán, visiting with the mother of a large family most of whose members have crossed the line; three of her sons died after a cocaine-snorting smuggler crashed his truck while fleeing US Border Patrol agents. (By the end, she too will have left Zamora, for a new home in St. Louis.) Other points in his eventful narrative find Martínez at home in California, walking the Arizona desert, talking with farmhands in Texas shantytowns. He resists the temptation to moralize, instead writing plainly—but with obvious sympathy—for people moved by economic disaster to flee their homes for an uncertain new country that often seems to hate them but that needs them all the same.

First-rate reporting on an important, controversial subject.

Pub Date: Oct. 3, 2001

ISBN: 0-8050-4908-8

Page Count: 384

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2001

Next book

A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

Next book

I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

Close Quickview