by Ruby Hamad ‧ RELEASE DATE: Oct. 6, 2020
An extraordinary book for anyone who wishes to pay more than lip service to truly inclusive, intersectional feminism.
An exhaustive look at how White women perpetuate White supremacy at the expense of women of color.
Journalist Hamad picks up where her 2018 Guardian Australia article left off, delving into why White women’s comfort is prioritized and their tears “weaponized” to further marginalize women of color. “When challenged by a woman of color,” she writes, “a White woman will often lean into her racial privilege to turn the tables and accuse the other woman of hurting, attacking, or bullying her. This process almost always siphons the sympathy and support of any onlookers to the apparently distressed White woman, helping her avoid any accountability that may be due and leaving the woman of color out in the cold, often with no realistic option—particularly if it is a workplace interaction—but to accept blame and apologize.” Whether responding to indignities such as White women petting their hair or to loss of career opportunities, women of color are treated as aggressors when they challenge bigotry. The author painstakingly documents how, historically and contemporarily, White women function both as “damsels in distress” and as defenders of White supremacy. From slavery and lynching to forced Indigenous child removals, White women have been “co-conspirators” with White men in racism and violence, often under the guise of protecting White womanhood. With scholarly but highly engaging prose, Hamad details White women’s roles in oppression across continents, a much-needed history lesson for those inclined to reduce racism to individual behavior. The author clearly examines how this legacy of centuries of racial violence and White settler colonialism plays out today in the lives of Black, Asian, Latina, Indian, Muslim, Arab, and Indigenous women from around the world, told through their collective geopolitical histories and personal anecdotes. For readers truly interested in dismantling White supremacy, this is a must-read.
An extraordinary book for anyone who wishes to pay more than lip service to truly inclusive, intersectional feminism.Pub Date: Oct. 6, 2020
ISBN: 978-1-948226-74-5
Page Count: 224
Publisher: Catapult
Review Posted Online: June 19, 2020
Kirkus Reviews Issue: July 15, 2020
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PERSPECTIVES
PERSPECTIVES
PERSPECTIVES
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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BOOK REVIEW
by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
BOOK REVIEW
by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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