A heady look at the influence of the heavens on a small patch of earth.
A small town in Australia is the setting for a lushly detailed debut novel starring a comet that puts Halley’s to shame.
Among the watchers of Comet St. John in 1997 is Sylvia Knight, a 32-year-old funeral home worker who two years earlier was the victim of a hit-and-run crash that killed her husband. Since then, she’s been doggedly but unsuccessfully searching for the driver of the car that caused the crash. The comet—which is due to make its first appearance to the naked eye in January, a few days after the novel starts, and to grow more prominent in the sky through August—has a special meaning for Sylvia: “The date St John would show itself in the sky was…the date by which I’d given myself permission to finally leave this planet.” Life, however, interferes with this plan, as Sylvia becomes unexpectedly intrigued with a mysterious stranger who shows up at the funeral parlor and turns out to be Theo St. John, the pensive young American astronomer who first discovered the comet. Then Sylvia feels compelled to rescue her gullible mother-in-law, Sandy, from the local doomsday cult that’s sprung up around the comet and is planning a festival with an ending that doesn’t bode well for local residents. While the mystery of who was driving the car that killed Sylvia’s husband falls flat, with a conclusion that many readers will anticipate, Sylvia is a compellingly contradictory narrator, drawn to both stability and risk, and Todd places her in an equally complex community, a small town thrown off balance by its placement at the epicenter of comet viewing. The novel’s noir edge combines with a tone of mystical fatalism to make for a disorienting reading experience.
A heady look at the influence of the heavens on a small patch of earth.Pub Date: July 16, 2024
ISBN: 9781668053218
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.
A recently divorced writer juggles a chaotic full house, a struggling career, and a confusing romantic life.
Lila Kennedy thought she had the perfect family—a loving mother, a doting stepfather, two wonderful daughters, and a great husband. She even wrote a self-help book about repairing a marriage, which was published a mere two weeks before her husband left her. After her own mother’s sudden death, Lila finds herself an unexpected single mom with her health-nut stepfather, Bill, for a roommate. When her long-absent actor father, Gene, moves in, things go from crowded to chaotic. When Gene isn’t talking about his memories of starring on a Star Trek–like television show, he’s starting fights with Bill. Perhaps the worst part is that Lila’s supposed to produce a new book about the unexpected direction her life has taken. She quickly finds that writing about her real-life romantic exploits (including the kind gardener Bill hired and the sexy single dad she lusts after at school pick-up) and the actual heartbreak that upended her family is easier said than done. Moyes creates a world that is believable and funny. It’s hilarious to read about the distinct characters in Lila’s life—such as her lentil-loving stepfather and egocentric biological father—interacting with each other. There’s plenty of drama here, but none of it feels forced. It all comes from flawed people doing their best to coexist and making plenty of mistakes along the way. Moyes combines the warmth of an Annabel Monaghan rom-com with the humanity of a Catherine Newman novel, creating a story that will provoke tears and laughter.
A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.Pub Date: Feb. 11, 2025
ISBN: 9781984879325
Page Count: 464
Publisher: Pamela Dorman/Viking
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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