by Rudolf B. Brun ‧ RELEASE DATE: Sept. 26, 2014
A slim but powerful entry in the long-running debate between science and religion.
A brief work that argues for the synthesis of Christian faith and scientific discovery.
Brun (Creation and Cosmology, 2009) attempts to square the circle of Stephen Jay Gould’s famous “non-overlapping magisteria”: the worlds of religion and science. He does so with intellectual rigor and a surprising amount of success, beginning with some fairly large ideological conceptions: “Any serious discussion between Christian theology and science must accept that nature is free to become itself,” he writes. “This is to say that there is no interference from supernatural entities into the natural creative process.” Modern physics, he observes, has demonstrated that physical laws are the results of the natural process, not the superimposed dictations of a “super-nature.” Brun’s view, which draws on the work of the famous Jesuit theologian Pierre Teilhard de Chardin, is that nature is the result of God’s Word, but it is also “free to become itself” without interference from supernatural forces, and that human science is also free to explore it. The author may run into trouble with more doctrinaire readers, not only for flatly declaring that all religions are human inventions, but also for exploring beliefs regarding God’s limitations; Panentheism, he says, believes that God is good and encourages good, but “cannot prevent evil from happening.” He also champions the notion of what he calls “syntheses” of the natural and the spiritual world, typified by the human drive to produce classical music or paintings, for example; the author’s side-discussion of the work of painter Wassily Kandinsky is quite engaging. Despite some distracting typos, the book’s arguments are persuasive. Ultimately, it asserts what many others have hopefully asserted before: that religion and scientific inquiry are only enemies when they’re being shortsighted: “Christianity has always adhered to the notion that faith must seek understanding,” Brun writes. “Therefore, Christian faith cannot ignore the understandings gained by science.”
A slim but powerful entry in the long-running debate between science and religion.Pub Date: Sept. 26, 2014
ISBN: N/A
Page Count: -
Publisher: Brun Publishing
Review Posted Online: Dec. 5, 2014
Review Program: Kirkus Indie
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PERSPECTIVES
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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