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CITY OF LIGHT

THE MAKING OF MODERN PARIS

Capsule character studies of Louis and Haussmann enrich an engrossing short history that reminds us of the urban planning...

A concise yet admirably thorough account of the reinvention of one of the world’s great cities.

Longtime Daily Telegraph arts writer Christiansen (Literature/Keble Coll., Oxford; I Know You Are Going to be Happy: The Story of a Sixties Family, 2013, etc.), who has won the Somerset Maugham Award, opens with the 1875 debut of architect Charles Garnier's opulent, ostentatious Opéra, the very emblem of Second Empire extravagance. But the real story begins decades earlier. Many readers think of Paris as a timeless museum of grace and beauty. In 1853, when French Emperor Louis Napoleon undertook a massive public works program under the direction of the brilliant but ruthless Baron Haussmann, much of Paris was, in fact, a fetid slum with a few sanctuaries of splendor. Inspired by the emperor’s admiration for London's municipal works, cost (both monetary and human) would be no object. The author details how this campaign of leveling and building transformed Paris from curved forms into straight lines and broad vistas, creating almost as much upheaval as improvement. He gives due credit to Haussmann's key collaborators, demonstrating how an ideology of efficiency ruled and how a banking boom underwrote it—along with immense government debt. While giving voice to Haussmann's most ardent critics, who were appalled by his aesthetic and deplored the banality of the new Paris' thirst for amusement, Christiansen shows how many of the more sensible measures were social investments that benefited everyone, especially sanitation, the greening of Paris, and the educational reforms of Jean Victor Duruy. The author also showcases the influence exerted by an era of free trade and burgeoning technologies. He develops a crisply written narrative that moves from Louis' ascent to the presidency through France's disastrous war with Prussia, the collapse of the Second Empire, and the bloodbath of a Parisian civil war.

Capsule character studies of Louis and Haussmann enrich an engrossing short history that reminds us of the urban planning and social engineering blunders we continue to make today.

Pub Date: Oct. 9, 2018

ISBN: 978-1-5416-7339-7

Page Count: 224

Publisher: Basic Books

Review Posted Online: Aug. 12, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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