The British author who in such accomplished books as The Five Gates of Hell (1991) and Soft! (1998) has perfected the kind of noir thriller Graham Greene used to write now outdoes himself with this absorbing tale of captivity and obsession. Thomson’s protagonist is a nameless Englishman who has found fame and fulfillment in Amsterdam as a dancer and choreographer, and who is the lover of his beautiful partner Brigitte. Leaving their apartment one evening on an errand, he is met by “three figures in hoods and cloaks”—women admirers, it seems. But the three drug and kidnap him, chaining him to the floor of an almost empty room (whose only furnishings, oddly enough, are a washer and dryer) where he is kept naked, sexually used, subjected to genital mutilation, forced to perform a ballet of his own choosing before an audience of unidentified spectators, then released after 18 days. Though Thomson never explains his experience, symbolic reasons suggest themselves when the dancer begins “to feel as if his fate was no more or less than he deserved,” and it is suggested that his (usually masked) captors— domination of him dramatizes “the damage that had once been done to them now finding expression in clandestine rituals, barbarity, a pursuit of the bizarre.” The nature of his subsequent “freedom” is equally cryptic. The end of his relationship with Brigitte (to whom he cannot tell his story), an unexpected legacy that enables him to travel widely, his surrender to compulsive promiscuity, and a rash act that can only be interpreted as attempted rape—all are ironically logical outgrowths of his desire to find the women who altered his life and to understand the person he has become (or has perhaps, without realizing so, always been). The psychodrama Thomson builds from these fascinating particulars is an ineffably disturbing “revelation” of the possibilities and dangers we unknowingly carry within ourselves. One of the most eerily original novels of recent years. Thomson’s masterpiece.
Pub Date: Feb. 9, 2000
ISBN: 0-375-40927-0
Page Count: 272
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1999
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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