by Russ Kendall & photographed by Russ Kendall ‧ RELEASE DATE: March 1, 1992
In perceptive, skillfully composed color photos captioned with a brief text, a realistic portrait of seven-year-old Norman and his life year-round. Kendall's outstanding photos are the strength here. Norman is winsomely photogenic; portraits of older family members suggest complex characters and experience: an adult brother is alert but reserved; a sturdy grandmother has a no-nonsense face mellowed by warmly twinkling eyes. The village of Shishmaret (clearly located on a map) is observed in winter's half-light and on a bright day when snow covers the ground and dogs are tethered everywhere, with utilitarian houses clustered together (no igloos). Norman is also shown at school, fishing, and going to the nearest dentist in an airplane. The text is serviceable, though sometimes written down (why not say what Norman's mother is cutting, instead of calling it ``something''?). But a succinct afterword on ``Modern-day Eskimos'' is telling in its description of rapid changes that have left many English-speaking children unable to converse in a common language with their own grandparents. A note on the photos is welcome, especially for its explanation of a time photo of the night sky including an aurora. Less prettified than Keegan's photo essays on Native Americans (Pueblo Boy, 1991); like Aylette Jenness's book about a Yup'ik family (In Two Worlds, 1989, for older children), excellent source material. Pronouncing glossary of 21 Inupiaqu words. (Nonfiction. 5-8)
Pub Date: March 1, 1992
ISBN: 0-590-43695-3
Page Count: 40
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1992
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by Kate Waters & photographed by Russ Kendall
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by Russ Kendall & photographed by Russ Kendall
adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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by Rachel Isadora ; illustrated by Rachel Isadora
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by Megan McDonald & illustrated by Peter H. Reynolds ‧ RELEASE DATE: March 13, 2012
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...
An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.Pub Date: March 13, 2012
ISBN: 978-0-7636-5692-8
Page Count: 160
Publisher: Candlewick
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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by Megan McDonald ; illustrated by Peter H. Reynolds
by Megan McDonald & illustrated by Peter H. Reynolds
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by Megan McDonald ; illustrated by Scott Nash
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