Grim but compelling narratives from this fine writer.
Three stories unearth the bitterness and violence seething in a working-class American town.
These long narratives by the late Banks are all set in the northern New York village of Sam Dent that featured in The Sweet Hereafter (1991). But where that story dealt with a tragedy that affected the whole town, these explore the welter of pain that can afflict a single house. In “Nowhere Man,” a feud between neighbors escalates when one of them finds himself threatened on social media. This is a community where guns are commonplace and Banks’ choice of victim is pointedly cruel. He also weaves in Trump, the Proud Boys, and home-grown militias, expanding the range of one of his recurring themes, toxic masculinity. “Homeschooling” has a Hallmark-wholesome, Trump-friendly family adjusting to next-door neighbors who comprise white married lesbians and their four adopted Black children. When those kids suggest that all is not well in their household, the adults trade bitter words that lead to an awful outcome. Banks plants doubt about the virtue and veracity on both sides, fostering an ambiguity that challenges any facile finger-pointing. In “Kidnapped,” the grandparents of a young man who lost his father to war and his mother to drugs open their door one evening to find two drug thugs looking for human leverage in a deal gone bad. This is a dark tale in which death is dealt out remorselessly, family ties are fatal, and a change of heart or a well-meant deed can turn virtue into complicity. All these stories include ruminations on the passage of time, changes and damage in the landscape, and the values and aspirations sustained from generation to generation. The tone in these passages is almost elegiac: hymns to a past when fewer wounds were self-inflicted.
Grim but compelling narratives from this fine writer.Pub Date: March 5, 2024
ISBN: 9780593536773
Page Count: 224
Publisher: Knopf
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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