As immigration continues to be a major issue in America, this introduction to the Angel Island experience is overdue and,...
Writing with clarity, Newbery Medal winner Freedman (Becoming Ben Franklin, 2013, etc.) explores a lesser-known period in U.S. immigration history, when the San Francisco Golden Gate was anything but welcoming.
Opened to enforce exclusion laws, the Angel Island Immigration Station, often called the Ellis Island of the West, served as the primary gateway to the Pacific Coast between 1910 and 1940. Over half a million people from more than 80 different countries were processed there, the majority of them from China. In telling the history of Chinese people in the U.S., the author doesn’t hold back on the racial discrimination these immigrants faced, including the passing of the 1882 Chinese Exclusion Act. Despite that, immigrants came, but they faced interrogations and long periods of detention on Angel Island. Here, the experience is made most vivid and poignant when Freedman weaves in the recollections of detainees, including “picture brides” and refugees, taken from books and videos. The historical photos of Angel Island life, notably the poems expressing frustration carved in Chinese calligraphy into the barracks walls (gracefully reproduced as design accents on front- and backmatter), bring depth and perspective to a dark period in American history. In this case, the walls do talk.
As immigration continues to be a major issue in America, this introduction to the Angel Island experience is overdue and, most of all, welcome. (source notes, selected bibliography, acknowledgments, picture credits) (Nonfiction. 9-14)Pub Date: Jan. 7, 2014
ISBN: 978-0-547-90378-1
Page Count: 96
Publisher: Clarion Books
Review Posted Online: Oct. 8, 2013
Kirkus Reviews Issue: Nov. 1, 2013
A sincere, genuine, and uplifting book that affirms the importance of being true to yourself.
Middle school drama hits hard in this coming-of-age graphic memoir.
Natural competitor Misty has faced off against the boys for years, always coming out on top, but now they’re moving on without her into the land of full-contact football. Never one to back away from a challenge, Misty resolves to join the team and convinces her best friend, Bree, to join her. While Misty pours herself into practicing, obviously uninterested Bree—who was motivated more by getting to be around boys than doing sports—drifts toward popular queen bee Ava, creating an uneasy dynamic. Feeling estranged from Bree, Misty, who typically doesn’t think much about her appearance, tries to navigate seventh grade—even experimenting with a more traditionally feminine gender expression—while also mastering her newfound talent for tackling and facing hostility from some boys on the team. Readers with uncommon interests will relate to the theme of being the odd one out. Social exclusion and cutting remarks can be traumatic, so it’s therapeutic to see Misty begin to embrace her differences instead of trying to fit in with frenemies who don’t value her. The illustrations are alive with color and rich emotional details, pairing perfectly with the heartfelt storytelling. The husband-and-wife duo’s combined efforts will appeal to fans of Raina Telgemeier and Shannon Hale. Main characters present as White; some background characters read as Black.
A sincere, genuine, and uplifting book that affirms the importance of being true to yourself. (Graphic memoir. 9-13)Pub Date: Sept. 27, 2022
ISBN: 978-0-06-306469-0
Page Count: 272
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
Deftly written and informative; a call for vigilance and equality.
An examination of the history of Chinese American experiences.
Blackburn opens with a note to readers about growing up feeling invisible as a multicultural, biracial Chinese American. She notes the tremendous diversity of Chinese American history and writes that this book is a starting point for learning more. The evenly paced narrative starts with the earliest recorded arrival of the Chinese in America in 1834. A teenage girl, whose real name is unknown, arrived in New York Harbor with the Carnes brothers, merchants who imported Chinese goods and put her on display “like an animal in a circus.” The author then examines shifting laws, U.S. and global political and economic climates, and changing societal attitudes. The book introduces the highlighted people—including Yee Ah Tye, Wong Kim Ark, Mabel Ping-Hua Lee, and Vincent Chen—in relation to lawsuits or other transformative events; they also stand as examples for explaining concepts such as racial hierarchy and the model minority myth. Maps, photos, and documents are interspersed throughout. Chapters close with questions that encourage readers to think critically about systems of oppression, actively engage with the material, and draw connections to their own lives. Although the book covers a wide span of history, from the Gold Rush to the rise in anti-Asian hate during the Covid-19 pandemic, it thoroughly explains the various events. Blackburn doesn’t shy away from describing terrible setbacks, but she balances them with examples of solidarity and progress.
Deftly written and informative; a call for vigilance and equality. (resources, bibliography, image credits) (Nonfiction. 10-14)Pub Date: March 26, 2024
ISBN: 9780593567630
Page Count: 288
Publisher: Crown
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
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