by Russell Freedman James E. Morriss ‧ RELEASE DATE: April 15, 1970
Natural and experimental examples expand a word to the dimensions of a concept: instinct is first defined—"behavior that is inborn and does not have to be learned"; then its properties are refined—the term is descriptive but not fully explanatory. Internal stimuli (hormones) function chemically to prepare for a given action, and external stimuli trigger the action by exploiting, in the case of courtship for instance, the animal's best-developed sense (sight, sound, smell). His relative position on the evolutionary scale is what dictates the extent to which his innate or inherited 'outline' is filled in by 'learned' details. Word and picture portraits of particular species balance theory with a variety of intricate instinct-controlled behaviors: in courting, reproduction, and family-raising; in migration—the urge (glandular), navigation (sun- or star-oriented), and claiming of territory ("Is Man Territorial?"). However, "Instinct is too inflexible to cope with every situation that may arise. . . . Many species have become extinct because they were unable to adjust to changes in their environment"—here, discussion of genes, DNA, and mutation (re natural selection). Would-be observers are offered projects-in-context for inducing and conditioning instinctive reactions; further-readers will find a list of books (including juveniles) and accessible magazine articles for additional, delimited investigation. The authors know How Animals Learn (1969)—human animals—and they foster a sense of discovery.
Pub Date: April 15, 1970
ISBN: 0823400018
Page Count: -
Publisher: Holiday House
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: April 1, 1970
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by Barney Saltzberg ; illustrated by Barney Saltzberg ‧ RELEASE DATE: Sept. 23, 2010
A festive invitation to creative liberation.
A pleasingly tactile exploration of the possibilities inherent in mistakes.
"A torn piece of paper... / is just the beginning!" Spills, folded paper, drips of paint, smudges and smears—they "all can make magic appear." An increasingly complex series of scenarios celebrates random accidents, encouraging artistic experimentation rather than discouragement. The folded-over paper can be a penguin's head; a torn piece of newsprint can turn into a smiling dog with a little application of paint; a hot-chocolate stain can become a bog for a frog. Thanks to a telescoping pop-up, a hole is filled with nearly limitless possibilities. The interactive elements work beautifully with the photo-collaged "mistakes," never overwhelming the intent with showiness. Saltzberg's trademark cartoon animals provide a sweetly childlike counterpoint to the artful scribbles and smears of gloppy paint.
A festive invitation to creative liberation. (Pop-up. 4-12)Pub Date: Sept. 23, 2010
ISBN: 978-0-7611-5728-1
Page Count: 28
Publisher: Workman
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Dec. 1, 2010
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by Kate Messner ; illustrated by Mark Siegel ‧ RELEASE DATE: July 7, 2020
A lovely encouragement to young writers to persist.
This follow-up to How To Read a Story (2005) shows a child going through the steps of creating a story, from choosing an idea through sharing with friends.
A young black child lies in a grassy field writing in a journal, working on “Step 1 / Search for an Idea— / a shiny one.” During a walk to the library, various ideas float in colorful thought bubbles, with exclamation points: “playing soccer! / dogs!” Inside the library, less-distinct ideas, expressed as shapes and pictures, with question marks, float about as the writer collects ideas to choose from. The young writer must then choose a setting, a main character, and a problem for that protagonist. Plotting, writing with detail, and revising are described in child-friendly terms and shown visually, in the form of lists and notes on faux pieces of paper. Finally, the writer sits in the same field, in a new season, sharing the story with friends. The illustrations feature the child’s writing and drawing as well as images of imagined events from the book in progress bursting off the page. The child’s main character is an adventurous mermaid who looks just like the child, complete with afro-puff pigtails, representing an affirming message about writing oneself into the world. The child’s family, depicted as black, moves in the background of the setting, which is also populated by a multiracial cast.
A lovely encouragement to young writers to persist. (Informational picture book. 6-10)Pub Date: July 7, 2020
ISBN: 978-1-4521-5666-8
Page Count: 36
Publisher: Chronicle Books
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
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