It's always disconcerting when a character created by one illustrator returns in the style of another, but Barton's offhand absurdity well suits this not-too-serious fable of electronic over-consumption. And Hoban does more than you'd expect with a story that begins when father Crocodile arrives home to find the fuses blown again and goes about unplugging "the electric toothbrushes and his reducing machine and his quadraphonic hi-fi. He unplugged the bedroom TV and the kitchen TV and the living-room TV. He unplugged the blender and the biofeedback and the Slimmo. He unplugged Emma's and Arthur's stereos, and he unplugged the Dracula"—this last being the Hi-Vamp for Arthur's electric guitar and the presumed chief cause of all the blow-outs. Mother and Emma manage okay in their unplugged headsets (life just feels more natural with them on) and Arthur, of all things, passes his time reading mysterious large library books; it's father, missing the news and driven crazy by the crickets, who plugs in at last. Later Arthur, explaining all the research, unveils his water wheel generator—but when the family eventually blows that too, it is Arthur who has learned to be content with playing his own quiet composition on his non-acoustic guitar. Though without the wicked twist that made Dinner at Alberta's a treat, it's a good sneaky generational joke, pulled off with cool.
Pub Date: Sept. 6, 1978
ISBN: 0440401836
Page Count: 52
Publisher: T.Y. Crowell
Review Posted Online: April 27, 2012
Kirkus Reviews Issue: Sept. 1, 1978
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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