A lyrically beautiful existential fable, unfortunately based on paternalistic and romanticized notions about Native peoples.
Beloved for such classics as Bedtime for Frances and The Mouse and His Child, the late master leaves a mystical tale about life, death and expiation of mistakes wrapped up as a romanticized Inuit fable.
A pre-story note sets the geography as “The North in my mind.” It provides references for fauna, snowmobiles and cold weather, but not for Inuit people; if Hoban researched Inuit culture beyond “my mind,” he doesn’t say. The story addresses distinctly non-Inuit readers: “Maybe…there isn’t any north where you are. Maybe it’s warm….There aren’t any Inuit or dogsleds, nothing like that.” In that Otherized “North” lives Sixteen-Face John, a shaman. As John indulges in “drinking Coca-Cola…watching TV…and reading magazines with centerfolds” and hunting “with a skidoo instead of a dogsled,” the text indulges in a problematic stereotype: native culture choked by excessive modernism and individual decadence. Soonchild, the unborn baby of John and his wife, No Problem, refuses to be born until she hears the World Songs, which contain “the memory of ancient rains that filled the oceans.” John mixes a Big-Dream Brew and goes on a dream-quest. He meets animals and spirits including Old Man Raven; he changes form and confronts demons; he retrieves the Songs. Deacon’s soft, primitive pencil and charcoal reinforce the drama. Hoban sneaks poetry into prose: “They taught him dreams and trances, magic songs and dances.”
A lyrically beautiful existential fable, unfortunately based on paternalistic and romanticized notions about Native peoples. (author’s note) (Fantasy. 10 & up)Pub Date: Aug. 14, 2012
ISBN: 978-0-7636-5920-2
Page Count: 144
Publisher: Candlewick
Review Posted Online: May 29, 2012
Kirkus Reviews Issue: June 15, 2012
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A book that seamlessly brings readers along on a journey of impact and empowerment.
A manifesto for budding feminists.
At the core of this engaging novel are besties Chelsea, who is Irish- and Italian-American and into fashion and beauty, and Jasmine, who is African-American, loves the theater, and pushes back against bias around size (“I don’t need your fake compliments, your pity. I know I’m beautiful. Inside and out”). They and their sidekicks, half-Japanese/half-Lebanese Nadine and Puerto Rican Isaac, grow into first-class activists—simultaneously educating their peers and readers. The year gets off to a rocky start at their progressive, social justice–oriented New York City high school: Along with the usual angst many students experience, Jasmine’s father is terminally ill with cancer, and after things go badly in both their clubs, Jasmine and Chelsea form a women’s rights club which becomes the catalyst for their growth as they explore gender inequality and opportunities for change. This is an inspiring look at two strong-willed teens growing into even stronger young women ready to use their voices and take on the world, imploring budding feminists everywhere to “join the revolution.” The book offers a poetic balance of dialogue among the main characters, their peers, and the adults in their lives. The exquisite pacing, which intersperses everyday teen conflicts with weightier issues, demonstrates how teens long to be heard and taken seriously.
A book that seamlessly brings readers along on a journey of impact and empowerment. (resources for young activists, endnotes) (Fiction. 12-18)Pub Date: Feb. 12, 2019
ISBN: 978-1-5476-0008-3
Page Count: 368
Publisher: Bloomsbury
Review Posted Online: Jan. 22, 2019
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