A lyrically beautiful existential fable, unfortunately based on paternalistic and romanticized notions about Native peoples.
Beloved for such classics as Bedtime for Frances and The Mouse and His Child, the late master leaves a mystical tale about life, death and expiation of mistakes wrapped up as a romanticized Inuit fable.
A pre-story note sets the geography as “The North in my mind.” It provides references for fauna, snowmobiles and cold weather, but not for Inuit people; if Hoban researched Inuit culture beyond “my mind,” he doesn’t say. The story addresses distinctly non-Inuit readers: “Maybe…there isn’t any north where you are. Maybe it’s warm….There aren’t any Inuit or dogsleds, nothing like that.” In that Otherized “North” lives Sixteen-Face John, a shaman. As John indulges in “drinking Coca-Cola…watching TV…and reading magazines with centerfolds” and hunting “with a skidoo instead of a dogsled,” the text indulges in a problematic stereotype: native culture choked by excessive modernism and individual decadence. Soonchild, the unborn baby of John and his wife, No Problem, refuses to be born until she hears the World Songs, which contain “the memory of ancient rains that filled the oceans.” John mixes a Big-Dream Brew and goes on a dream-quest. He meets animals and spirits including Old Man Raven; he changes form and confronts demons; he retrieves the Songs. Deacon’s soft, primitive pencil and charcoal reinforce the drama. Hoban sneaks poetry into prose: “They taught him dreams and trances, magic songs and dances.”
A lyrically beautiful existential fable, unfortunately based on paternalistic and romanticized notions about Native peoples. (author’s note) (Fantasy. 10 & up)Pub Date: Aug. 14, 2012
ISBN: 978-0-7636-5920-2
Page Count: 144
Publisher: Candlewick
Review Posted Online: May 29, 2012
Kirkus Reviews Issue: June 15, 2012
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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