A lyrically beautiful existential fable, unfortunately based on paternalistic and romanticized notions about Native peoples.
Beloved for such classics as Bedtime for Frances and The Mouse and His Child, the late master leaves a mystical tale about life, death and expiation of mistakes wrapped up as a romanticized Inuit fable.
A pre-story note sets the geography as “The North in my mind.” It provides references for fauna, snowmobiles and cold weather, but not for Inuit people; if Hoban researched Inuit culture beyond “my mind,” he doesn’t say. The story addresses distinctly non-Inuit readers: “Maybe…there isn’t any north where you are. Maybe it’s warm….There aren’t any Inuit or dogsleds, nothing like that.” In that Otherized “North” lives Sixteen-Face John, a shaman. As John indulges in “drinking Coca-Cola…watching TV…and reading magazines with centerfolds” and hunting “with a skidoo instead of a dogsled,” the text indulges in a problematic stereotype: native culture choked by excessive modernism and individual decadence. Soonchild, the unborn baby of John and his wife, No Problem, refuses to be born until she hears the World Songs, which contain “the memory of ancient rains that filled the oceans.” John mixes a Big-Dream Brew and goes on a dream-quest. He meets animals and spirits including Old Man Raven; he changes form and confronts demons; he retrieves the Songs. Deacon’s soft, primitive pencil and charcoal reinforce the drama. Hoban sneaks poetry into prose: “They taught him dreams and trances, magic songs and dances.”
A lyrically beautiful existential fable, unfortunately based on paternalistic and romanticized notions about Native peoples. (author’s note) (Fantasy. 10 & up)Pub Date: Aug. 14, 2012
ISBN: 978-0-7636-5920-2
Page Count: 144
Publisher: Candlewick
Review Posted Online: May 29, 2012
Kirkus Reviews Issue: June 15, 2012
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty.
In this retelling of a classic, a drama student’s obsession with beauty leads her down a dark—and possibly deadly—path.
Eighteen-year-old Penny Paxton is beginning her first year at Dorian Drama Academy in Edinburgh, Scotland, where she hopes to follow in her starlet mother’s footsteps—and earn the love that her mother has never seemed to offer. At Dorian, Penny is mentored by Royal Shakespeare Company legend Orlagh Camran, who makes her the compelling offer of a portrait by the Masked Painter, a mysterious artist with the ability to gift his subjects everlasting youth and beauty. But shortly after Penny’s portrait is complete, several of the Masked Painter’s subjects are found murdered. Fearing that she’s made a terrible mistake and may become the next victim, Penny, who’s gay, begins to investigate the murders with the help of an unlikely ally. As she attempts to uncover the truth surrounding the Masked Painter and the murders, she’s forced to reckon with her own toxic obsession with beauty. This chilling, atmospheric novel, inspired by The Picture of Dorian Gray, is entertaining and full of twists, though some of the reveals feel contrived and some questions are left unanswered. The plot unravels at a leisurely pace but eventually builds to an action-packed (if somewhat convoluted) conclusion. Most characters are cued white.
An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty. (content note, author’s note, bonus scene) (Fantasy thriller. 14-18)Pub Date: May 26, 2026
ISBN: 9781250346797
Page Count: 384
Publisher: Wednesday Books
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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