A quick-moving, plainspoken, mostly charming exploration of the hardscrabble life of the livestock rancher of old.
From veteran novelist and longtime Montanan Rowland (Arbuckle, 2018, etc.), a new novel that looks at first like a murder mystery...but turns out to be mostly a dark-toned but affectionate pastoral about ranch life in rugged 1968 Montana.
Carl Logan is a former city schoolteacher who's just moved his family—much to his wife's chagrin—to Paradise Valley, a tiny ranching town where he's been hired as manager of the spread owned by wealthy outsider Peter Kenwood. Carl is both a newcomer and, many believe, a kind of usurper, since Kenwood has bypassed longtime hand Lester Ruth to hire Carl. So when rival rancher Tom Butcher, a bon vivant bachelor with a reputation as a ladykiller who is in some ways both the town's most popular and most despised person, is found beaten to death with a baseball bat, suspicion falls first and most heavily on Carl. The mystery of who's offed Tom and why becomes the engine of the novel but not its subject or reason for being: This is a love letter to the small-town, rough-and-tumble, fisticuff-heavy ranch life of 50 years ago. Rowland's interest in the murder plot is mainly as a way to explore a subject that cozy mysteries generally gloss over: How do you live in a community where neighbors have no choice but to stay in close contact, to trust and rely upon each other, when you know that one of those neighbors must be a killer who's hiding in plain sight? In straight-ahead, unfussy prose, Rowland keeps the novel humming along. The mystery fizzles a bit in the end, but by then the reader will know that's not where this book's heart is.
A quick-moving, plainspoken, mostly charming exploration of the hardscrabble life of the livestock rancher of old.Pub Date: Nov. 12, 2019
ISBN: 978-1-945814-92-1
Page Count: 248
Publisher: Dzanc
Review Posted Online: Aug. 19, 2019
Kirkus Reviews Issue: Sept. 1, 2019
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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