A witty and refreshingly original political drama.
Two lawyers attempt to overturn Obamacare on spiritual grounds in this debut novel.
Jerry Riggs is chief counsel to the speaker of the House and, as a Republican, is exasperated with his party’s failure to effectively oppose Obamacare. He’s especially angry at the GOP’s hypocritical complicity: Senate Minority Leader Mack McCormick openly criticized the Affordable Health Care Act but simultaneously ensured its protection from legislative assault in deference to his close ties to the health care industry. But an unusual opportunity to attack Obamacare surfaces when Sebastian Vogel, an old law school classmate of Jerry’s, files a suit against the federal government, requesting a religious exemption from the act’s individual mandate. His argument is a strikingly odd one, not premised on any adherence to institutional religion but instead on a general spirituality that interprets sickness and health as states of consciousness rather than medical conditions: “We’ve mapped out the DNA and found that it doesn’t explain everything….Could that be because there’s a spiritual aspect to disease?” Jerry reluctantly teams up with Vogel—his New-Age conversion strikes the chief counsel as incoherent at first—because he sees a real possibility to strike a blow at an otherwise impregnable law. But when Vogel’s home is set on fire by an arsonist, the stakes become perilously clear—a billion-dollar industry has taken notice and is prepared to kill to protect its profits. Meanwhile, Jerry struggles with his own mounting health problems—overweight and underexercised, he’s developed a serious heart condition that requires surgery, precisely the circumstances that led to his father’s death. Wright inventively combines political intrigue, humor, and philosophical meditation in an unusually policy-wonkish thriller. The author certainly stretches the outer limits of plausibility—and readers’ credulity—but in a way artful enough that the plot never descends into outright absurdity. Vogel’s form of spirituality can be irksomely enigmatic, but he still delivers some memorable insights. The whole narrative is a kind of conservative fantasy—a spiritually inspired but legitimate way to topple Obamacare—so it’s possible those readers unsympathetic to the Republican cause will find it tough to be sensitive to Jerry’s plight.
A witty and refreshingly original political drama.Pub Date: Dec. 4, 2017
ISBN: 978-1-5030-3389-4
Page Count: 422
Publisher: CreateSpace
Review Posted Online: Feb. 22, 2018
Kirkus Reviews Issue: April 15, 2018
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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