Next book

THE LAST HOURS IN PARIS

A vivid exposé of war and its dislocations.

This World War II saga explores issues of parenthood, justice, and retribution.

Druart’s second novel unfolds in two timelines, taking place in the 1940s and 1960s. At the book’s outset, in 1963, Élise has been living in apparent exile from her Paris roots, in a remote Breton village with a mysterious old woman named Soizic. Joséphine, Élise’s 18-year-old daughter, unearths her birth certificate and learns what her mother had postponed telling her: A man with a German surname is her father, not, as she had been told, her mother’s fiance who died fighting for France. Not understanding that her parentage was not only a source of disgrace, but of danger, Joséphine is angered by the deception and vows to track down her father. By 1944, Élise, her mother, and sister have endured four years of Nazi occupation. The way in which Paris has been devastated on so many fronts is viscerally evoked. Élise is part of a clandestine operation that arranges passage to Switzerland for Jewish children. At a bookshop, Élise meets Sébastian, a bilingual German soldier whose mother was French and who, with the glaring exception of his uniform, can pass as French. Sébastian finds the duties of his posting repugnant—acting as interpreter during Gestapo interrogation sessions and translating denunciation letters in which Parisians turn in their Jewish neighbors. Sébastian interferes when French police harass Élise in the bookshop, where he is an unwelcome customer. He takes escalating risks to win Élise’s trust and, ultimately, her love—rescuing her from the Gestapo and helping to save several children from deportation. Joséphine’s journey of discovery uncovers a tragedy of errors. Sébastian and Élise seem too innocent—unconvincingly so—to realize the depths of depravity into which both occupiers and occupied can sink. Their misplaced optimism will have disastrous consequences for each. But although Sébastian’s complexity will emerge only later, these characters command sympathy, to the point that readers will be exasperated by their missteps.

A vivid exposé of war and its dislocations.

Pub Date: July 19, 2022

ISBN: 978-1-5387-3521-3

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: April 26, 2022

Kirkus Reviews Issue: May 15, 2022

Awards & Accolades

Likes

  • Readers Vote
  • 258


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 258


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Next book

THE CRASH

Soapy, suspenseful fun.

A remembered horror plunges a pregnant woman into a waking nightmare.

Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.

Soapy, suspenseful fun.

Pub Date: Jan. 28, 2025

ISBN: 9781464227325

Page Count: 384

Publisher: Poisoned Pen

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

Close Quickview