Cattle have never been so riveting.
A contemplative coming-of-age thriller set against a modernizing Ireland.
Gilligan’s latest opens with the description of a photo: It's a dead man strung up by his feet like a cow. The photographer has never shown the image until now, although he believes it to be his finest work: “The Butcher,” is how he imagines it would be labeled. “County Monaghan, 1996.” The subject had belonged to a group of ritual cattle slaughters, eight men who’d roamed the countryside on foot, keeping the old customs alive for those who still believed. Then the novel skips backward in time, to 1996 and the circumstances that led to that one arresting image. It is a classic mystery format—start with the ending, then trace how we got here—but the novel is hardly a classic mystery. What unfolds instead is an understated family saga pulsing with quiet foreboding. There is a low hum of violence in the background, and the mounting threat of mad cow disease is never far away. At the story’s heart is 12-year-old Úna; the daughter of a Butcher, she yearns to carry on the tradition herself despite the supposed limitations of her gender. But there is also Úna’s mother, Grá, beautiful and lonely, haunted by the loss of her estranged sister, who left the family for the modern world. There is Fionn, a desperate dairy farmer with a dying wife trying to make good, and Fionn’s bookish son, Davey, whose penchant for the classics is his ticket out. And yet the strength here is not the richness of the characters—Úna, especially, feels generically free-spirited, a standard-issue tween literary heroine—but the richness of the world. It’s an atmospheric portrait of a country at a crossroads, moving away from the traditional ways and toward a slick new millennial future. Thoroughly lovely.
Cattle have never been so riveting.Pub Date: Nov. 10, 2020
ISBN: 978-1-947793-78-1
Page Count: 312
Publisher: Tin House
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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