by Ruth Paul ; illustrated by Ruth Paul ‧ RELEASE DATE: July 14, 2020
Very flavorful; young readers will savor every crumb.
Ghosts and monsters are known to scare folks at Halloween, but…cookies?
After being touched by a stream of magical moonlight, seven very mischievous, colorful, decorated-for-Halloween biscuits escape their tin and make their way out into the street, having already frightened Little Monster and Doggy. They shout “BOO!” at everything they meet. Lamppost? Check. Car? Check. Fireflies in a jar? Yep, them, too. And so it goes, the cookies BOO-ing at all the creatures they encounter, including a witch’s black cat. After a too-close brush with a hungry predator, the cookies manage to effect a quick escape—no crumbling here—and all ends boo-tifully in their favor. This adorable story is conveyed in lilting, rollicking rhymes that zing along with minimal text per page. Its original take on a Halloween theme and its cute “Gingerbread Man” vibe will entertain and delight young readers. The scenes on the final pages will keep kids guessing about what might happen next for Little Monster and the cookies. The delicious (in more ways than one) illustrations are charming, comical, and inventive, the cookies’ decorations providing clever inspiration for holiday-themed baking. Strong, crisp lines and colors encourage readers’ focus on characters and actions. Shiny colored foil on the book’s cover enhances visual excitement.
Very flavorful; young readers will savor every crumb. (Picture book. 4-7)Pub Date: July 14, 2020
ISBN: 978-0-06-286956-2
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers
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by Drew Daywalt ; illustrated by Oliver Jeffers
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by Drew Daywalt & illustrated by Oliver Jeffers
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SEEN & HEARD
SEEN & HEARD
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Marilyn Sadler ; illustrated by Stephanie Laberis
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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by Marilyn Sadler ; illustrated by Ard Hoyt
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