William James wrote that brother Henry was really ``a member of James family, and has no other country.'' The meaning of that remark becomes abundantly clear in this weighty group biography, which probes how the master novelist, the pioneering psychologist- philosopher, and their siblings were shaped by the formidable legacy of their ancestors. While contributing little beyond the scholarly detective work of Leon Edel and Jean Strouse in their respective biographies of Henry and sister Alice, Lewis (the Pulitzer Prize-winning Edith Wharton, 1976) skillfully if leisurely gives all members of this unusual clan their due. William James of Albany, grandfather of the literary giants, was a Scotch-Irish immigrant whose shrewdness as merchant and real-estate investor (he bought the village of Syracuse just before it boomed) produced one of the largest American fortunes of the early 19th century. Yet son Henry James, Sr., was a restless religious thinker who left his own children with a legacy of intellectualism, angst, and apprehension over what he termed the ``money passion.'' In addition, Henry and William were affected by Alice, a brilliant woman who suffered devastating depressions, and by Wilky and Bob, whose Civil War service left their older brothers with a lifelong regret over missing the great engagement of their generation. These relationships—marked by affection, rivalry, and differences over how to engage life and art—are outlined by Lewis with restraint and subtle insights (e.g., how William and Henry became concerned with the supernatural and ``varieties of religious experience'' in the early 1900's). An astute family portrait, rendered in Jamesian style—by turns indirect, ironic, psychologically penetrating, and moving. (Thirty-two pages of photographs—not seen.)
Pub Date: Aug. 23, 1991
ISBN: 0-374-17861-5
Page Count: 660
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1991
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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