“Seems pretty cool!” according to a high school sophomore, surely the target market for these high jinks.
Dude! You won’t believe this! An interactive novel updates the world’s most awesome romance with new characters, plotlines, slang, puzzles, illustrations, and a cookie recipe.
The best way to explain how this “choose your own path” rendition of Shakespeare’s hoary old play works is to show you. This, for example, is section No. 155: “You look up to the balcony. A light is on inside! 'But soft, what light through yonder window breaks?' you whisper.…A naked old dude steps out from the light onto the balcony.…His naughty bits are dangling in the breeze....'AW GROSS, I THINK THAT’S HER DAD,' you say, moving away to investigate another balcony. 'NICE WEEN THOUGH.' " Then you choose one of these options: “Examine the nearby stone balcony: turn to 109” or “Examine some other balcony instead: turn to 167." If you choose 109, you’ll be seeing a wrinkled old lady in a nightgown—her mom. If you choose 167, you’ll find the superhot mega-babe you met at that party last night. Then you make another choice, and so it goes, flipping back and forth through the book, until you come to one of more than a hundred different endings, each featuring an illustration by a dream team of cartoonists. You can choose to be Romeo or Juliet—TEAM MONTAGUE or TEAM CAPULET—and depending on your choices, you may go to brunch with Benvolio at The Merchant of Breakfast, visit Ophelia in Denmark, or trade dumb sex puns with Mercutio…and you don’t necessarily have to die in the end! One of the options is to actually become Juliet’s glove—though sadly, “gloves are not capable of sentient thought.” North, who funded the first of these books (To Be or Not To Be, 2013) with a Kickstarter, has scattered the entire text of the play among the 474 numbered sections.
“Seems pretty cool!” according to a high school sophomore, surely the target market for these high jinks.Pub Date: June 7, 2016
ISBN: 978-1-101-98330-0
Page Count: 400
Publisher: Riverhead
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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