Another provocative and page-turning entry in the Southern noir genre.
A gripping cat-and-mouse game between a twisted White religious killer and the first Black sheriff of a small Virginia community.
Welcome to Charon County, a “teardrop-shaped peninsula” on the Chesapeake Bay with a cursed name and a blood-soaked history, where “equality’s surest foothold was found on the autopsy table.” The latest tragedy is a school shooting, terrible enough on its own but only the beginning of the fresh hell descending on Charon: Both the shooter and the lone victim are connected to a string of unthinkable abuses targeting Black children. And there is a mysterious killer still at large, his gruesome crimes steeped in Scripture and religious iconography. Recently elected Sheriff Titus Crown—organized, decisive, and conflicted between justice and vengeance—is on the case, using his FBI training to profile a madman. As in any good noir, everyone is an enemy and a suspect; Titus is hounded by bigots of all stripes: biased officers, casually racist locals, and venom-spitting White supremacists. Titus is basically the only three-dimensional character, though this isn’t a major hindrance. The novel crackles along with each new clue and obstacle; scenes and dozens of characters are sketched with efficiency. The diffuse subjects of Titus’ wrath are treated solemnly if unsubtly—institutional Christianity in particular takes it in the teeth. Tight pacing mostly keeps the contrivances at bay, though there may be the occasional eye roll at Titus’ pithy True Detective–style platitudes about how broken the world is. Nevertheless, readers will cheer at Titus’ brutal screeds against those who push him past the point of patience. “Evil is rarely complicated,” Titus explains. “It’s just fucking bold.” Cosby’s previous works, Blacktop Wasteland (2020) and Razorblade Tears (2021), have both been optioned for film adaptations, and his latest seems destined for the same treatment.
Another provocative and page-turning entry in the Southern noir genre.Pub Date: June 6, 2023
ISBN: 9781250831910
Page Count: 352
Publisher: Flatiron Books
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: April 15, 2023
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.
Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.
The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.Pub Date: Nov. 5, 2024
ISBN: 9781668003138
Page Count: 320
Publisher: Atria
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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