Watson’s pitch-perfect writing propels the story to a frenzied climax that will haunt readers long after they’ve closed the...
Based upon a deceptively simple premise, Watson’s debut novel unwinds as a story that is both complicated and compellingly hypnotic.
Every single morning of Christine’s life is exactly the same as every other morning: She awakens next to a total stranger in a room she does not recognize, surrounded by objects she has never before seen. Christine remembers nothing of the day before and not much of the life she lived prior to these mornings. She remembers being a lithe 20-something, but awakens day after day in the body of a woman who is nearly 50, with sagging breasts and wrinkles. Most disturbing, though, is the older man she does not recognize beside her in bed. The man, who patiently explains that he is her husband, Ben, tells her how she has come to this terrible place. Christine, he says, was struck by an automobile and injured. Now she suffers from a type of amnesia that once she sleeps for the night wipes the slate from the previous day clean. When she awakens, she cannot recall her life or the people in it. Ben anticipates her questions, though, and has placed photos of himself and Christine around the bathroom mirror so that when she awakens in a panic, with a body and face that she cannot recognize, she will find the photos and begin once again to adjust to a world where she remembers nothing. But Christine is seeing a doctor behind Ben’s back. His name is Dr. Nash, and he encourages her to keep a journal. It is through this journal that she begins to pick up the pieces of her life and who she was before she was injured. Watson writes in the first person, from the perspective of a woman, and the voice is surprisingly spot-on. The angst is unimaginable but palpable in this suspenseful story of a woman who can take nothing for granted.
Watson’s pitch-perfect writing propels the story to a frenzied climax that will haunt readers long after they’ve closed the cover on this remarkable book.Pub Date: June 14, 2011
ISBN: 978-0-06-206055-6
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: March 1, 2011
PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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