A smashing sequel. More please.
In the follow-up to Save Me From Dangerous Men (2019), bookseller/private detective Nikki Griffin lands in hot water when she takes on a wealthy new client.
Business is booming at Brimstone Magpie, Nikki’s Berkeley bookstore, and she’s found contentment with her English professor boyfriend, Ethan, who wants her to move in with him. Contentment doesn’t quite suit Nikki, however, so she’s raring to go when she scores new client Martin Johannessen, who happens to come from one of San Francisco’s wealthiest families. Martin says his octogenarian mother has been blackmailed by the charming and much younger Geoffrey Coombs, a suspected con man. Coombs' trail leads Nikki to a ritzy Monterey hotel, and despite herself, Nikki finds herself attracted to the handsome, smooth-mannered psychologist, who seems to see her for who she really is: a woman who loves being on the edge of danger. Nikki’s scenes with Coombs, chock full of snappy dialogue, are right out of a black-and-white noir, but, unfortunately, their time together culminates in his abduction by some very bad men who threaten to fit him with concrete shoes. Coombs may have been up to something nefarious, but allowing him to be killed by these guys is not in Nikki’s playbook, and after Martin terminates her contract, she’s hired by his mother, Marie, who is most definitely not helpless or a victim. Marie wants Nikki to save Coombs, and it will undoubtedly be dangerous, but Nikki has friends in high and low places who are always eager to help. She even gets a boost from Mason, an inquisitive 12-year-old she meets by chance. Nikki has a moral imperative to mete out justice that is fueled by childhood tragedy. Those who dare to underestimate her are in for a nasty surprise, and she’s not afraid to use a little violence to help those who can’t help themselves. The nearly fearless and deeply empathetic Nikki is ridiculously easy to root for, and the pace is fast and furious all the way to a deeply satisfying finale.
A smashing sequel. More please.Pub Date: April 13, 2021
ISBN: 978-1-250-17027-9
Page Count: 304
Publisher: Flatiron Books
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
Fast-moving excitement with a satisfying finish.
The feds must protect an accused criminal and an orphaned girl.
Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead.
Fast-moving excitement with a satisfying finish.Pub Date: Nov. 12, 2024
ISBN: 9781538757901
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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