by S. Seaver ‧ RELEASE DATE: June 10, 2019
A refreshing revision of contemporary cosmology that’s argued with careful precision and a notable measure of theoretical...
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A challenge to the traditional theoretical account of the formation of the solar system.
Seaver (The Birth of the Earth, 2014, etc.) argues that, despite its widespread acceptance, the standard theory of the development of the earth, sun, and galaxy is full of problems. It begins with a nebula, an “enormous cloud of dust, hydrogen, helium and other ionized gases,” and posits that its denser areas pull more matter into it as a function of “gravitational collapse.” However, this “gravitational instability,” Seaver contends, is unlikely to issue from cosmic dust and gas, or to produce the necessary density for the consolidation of matter that would lead to the birth of a planet. Instead, Seaver proposes “Mass Vortex Theory,” a new and impressively original way to conceptualize the emergence of planets and stars, and, by extension, the galaxy as a whole. The book also offers a variant interpretation of the initial physical and atmospheric conditions of Earth. The author’s hypothesis begins with a nebula, as well, but with a portion of it filled with metallic atoms—a "parent cloud" in which an "infinite-mass-density singularity" appears, which Seaver calls the "center singularity." This singularity, in turn, pulls mass toward it gravitationally, creating a vortex in which each protoplanet flows—until inertia displaces it from the vortex’s groove and it settles into its own orbit. As a result of the protoplanet’s spinning, an initial layer of heated condensation ultimately cools into a frozen ice shell around it—and this was the initial condition of the earth, according to the author. With remarkable concision, Seaver rigorously presents an intriguing cosmological vision over the course of this book. However, it’s also rhetorically dense, and for uninitiated readers, its terminology will likely be intimidating. The author’s proposal offers a compellingly vast revision of the standard theory: Instead of the notion that "the sun is a single luminous sphere of plasma held together by its own gravity," for example, it substitutes "two current rings straddling a dense mass surrounding a singularity." Seaver also provocatively raises skeptical questions about the inadequacies of the conventional view and suggests empirical paths to verify the new one presented in these pages—for example, by making use of evidence of Jupiter’s ice shell. Overall, the presentation in this book is far too brief and quickly developed to be fully convincing. But Seaver freely, and without a hint of dogmatism, acknowledges the limitations to Mass Vortex theory—including its inability to conclusively demonstrate the existence of a center singularity, the initial nebula that began the process of planet and galaxy formation, or the pockets of metallic atoms within it. Moreover, the author articulately deals with the question of what counts as theory in the first place, given the dearth of verifiable information that we have about the genesis of planets and stars: “any theory of star system formation and planet formation requires an interpretation of evidence.” At the very least, however, Seaver has sufficiently demonstrated that this alternate interpretation warrants a hearing.
A refreshing revision of contemporary cosmology that’s argued with careful precision and a notable measure of theoretical skepticism.Pub Date: June 10, 2019
ISBN: 978-0-9909550-2-3
Page Count: 186
Publisher: Kuhn & Seaver Publishing
Review Posted Online: July 26, 2019
Review Program: Kirkus Indie
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by Elijah Wald ‧ RELEASE DATE: July 25, 2015
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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