A gonzo adventure novel that shreds the conventional wisdom that pulp can be pigeonholed.
In the dark days leading up to the Iraq War, two black marketeers blunder into an ancient conspiracy involving a secret sect of Islamic mystics.
Here’s the thing: If you’re going to write pulp fiction, jump in with both feet and let the blood fly. That’s what Bangladesh-based journalist Hossain has done in this kinetic debut novel set in the exploding streets of Baghdad. Our “good guys,” so to speak, are Dagr, a widowed former professor of economics who's turned to crime in the wake of the U.S. invasion, and Kinza, an anarchist berserker who can’t wait for the bad things to come—“When the rage comes, just stay behind him, that’s all,” warns Dagr of Kinza. It wasn't very pretty in the city in those days. “It’s a war,” observes one of Kinza’s corrupt connections. “We kill you, you kill us, who cares? The important thing is to have a sense of humor about it. When we were bombing the Kurds, do you think they were crying like babies?” This bickering duo is trying to get out of the city when they’re hired by a local sheik to track down the shadowy “Lion of Akkad,” a suspected serial killer who turns out to be a centenarian mental patient named Afzal Taha with ties to the Druze, the aforementioned cult. Unfortunately, during a skirmish, Kinza shoots the son of Hassan Salemi, a particularly nasty imam with a thirst for bloodshed. To facilitate their movement through the war-torn city, the two renegades enlist the help of Marine Pvt. Hoffman, a dope-smoking, rule-breaking hooligan who’s supposed to be looking for weapons of mass destruction but really just wants to be in country to “blow shit up.” It’s a marvelous mix of genres, blending the visceral atmosphere of a war movie with the casual nihilism of Catch-22 or the original M.A.S.H. complete with an Indiana Jones–style treasure quest to employ a mystical watch that doesn’t tell time to unleash the ancient power of the Druze before the sect’s ancient Alchemist, the real enemy, catches up with them.
A gonzo adventure novel that shreds the conventional wisdom that pulp can be pigeonholed.Pub Date: March 17, 2015
ISBN: 978-1-939419-24-8
Page Count: 256
Publisher: Unnamed Press
Review Posted Online: Jan. 7, 2015
Kirkus Reviews Issue: Jan. 15, 2015
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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