An enthusiastic and unique assessment of the Shakespeare authorship question that, while still leaving the debate...
An argument in favor of Thomas Sackville as the author of Shakespeare’s plays and poetry.
In this follow-up to The Apocryphal William Shakespeare (2011), Feldman expands on her contention that Elizabethan courtier Thomas Sackville, Lord Buckhurst, is the actual author of the plays and sonnets generally associated with William Shakespeare, while the actor William Shakespeare was actually responsible for a group of lesser plays mostly ignored by historians and critics. The book establishes 60 “attributes” that define the author (“Knowledge of the 1575 Kenilworth Festivities,” “Attracted to Both Magnificence and Simplicity”) then proceeds to find textual evidence for each attribute in Shakespeare’s writings, along with evidence that these clearly apply to Sackville. One chapter addresses each attribute’s applicability to writer Shakespeare, positing that few, if any, can be conclusively applied to the actor. The author is clearly knowledgeable about her subject, and she details her sources in an appendix of chapter notes, though as with The Apocryphal William Shakespeare, the format of the references makes it difficult to connect citations to the body of the narrative. While the idea that Thomas Sackville wrote Shakespeare’s plays may require too many assumptions and inferences to persuade the reader, Feldman is unquestionably convincing as a proponent of the pleasures of exploring the works from a new angle, “discovering how many lesser known and seldom performed Shakespearean works take on an entirely new interest and meaning from a Sackvillian perspective.” The arguments in favor of Thomas Sackville are unlikely to put an end to the ongoing debate over Shakespeare’s true identity, but Feldman has presented an engaging new perspective that gives Stratford-ian skeptics a strong new contender for the man behind the works.
An enthusiastic and unique assessment of the Shakespeare authorship question that, while still leaving the debate unresolved, may convince even open-minded Stratford-ians of the plausibility of its analysis.Pub Date: Sept. 6, 2015
ISBN: 978-1-50-299647-3
Page Count: 384
Publisher: CreateSpace
Review Posted Online: Oct. 26, 2015
Kirkus Reviews Issue: Dec. 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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