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Thomas Sackville and the Shakespearean Glass Slipper

From the A 'Third Way' Shakespeare Authorship Scenario series , Vol. 2

An enthusiastic and unique assessment of the Shakespeare authorship question that, while still leaving the debate...

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An argument in favor of Thomas Sackville as the author of Shakespeare’s plays and poetry.

In this follow-up to The Apocryphal William Shakespeare (2011), Feldman expands on her contention that Elizabethan courtier Thomas Sackville, Lord Buckhurst, is the actual author of the plays and sonnets generally associated with William Shakespeare, while the actor William Shakespeare was actually responsible for a group of lesser plays mostly ignored by historians and critics. The book establishes 60 “attributes” that define the author (“Knowledge of the 1575 Kenilworth Festivities,” “Attracted to Both Magnificence and Simplicity”) then proceeds to find textual evidence for each attribute in Shakespeare’s writings, along with evidence that these clearly apply to Sackville. One chapter addresses each attribute’s applicability to writer Shakespeare, positing that few, if any, can be conclusively applied to the actor. The author is clearly knowledgeable about her subject, and she details her sources in an appendix of chapter notes, though as with The Apocryphal William Shakespeare, the format of the references makes it difficult to connect citations to the body of the narrative. While the idea that Thomas Sackville wrote Shakespeare’s plays may require too many assumptions and inferences to persuade the reader, Feldman is unquestionably convincing as a proponent of the pleasures of exploring the works from a new angle, “discovering how many lesser known and seldom performed Shakespearean works take on an entirely new interest and meaning from a Sackvillian perspective.” The arguments in favor of Thomas Sackville are unlikely to put an end to the ongoing debate over Shakespeare’s true identity, but Feldman has presented an engaging new perspective that gives Stratford-ian skeptics a strong new contender for the man behind the works.

An enthusiastic and unique assessment of the Shakespeare authorship question that, while still leaving the debate unresolved, may convince even open-minded Stratford-ians of the plausibility of its analysis.

Pub Date: Sept. 6, 2015

ISBN: 978-1-50-299647-3

Page Count: 384

Publisher: CreateSpace

Review Posted Online: Oct. 26, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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