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AMERICAN ESTRANGEMENT

Lyrical, funny, smart, and heartbreaking.

Seven thematically linked stories that explore the lonely schisms in American life.

Estrangement, the act of being separate from a person or group with whom you were once close, is the definitive condition of Sayrafiezadeh’s America and the binding agent of his lyrical, funny, and disquieting collection. In “Scenic Route,” a couple so incompatible that they're dumped by their couples counselor try to heal their relationship by driving together across the United States…except the states are not united; visas are necessary; the state lines are guarded by border patrol agents; and as the couple progress westward, they encounter increasing antagonism, some of it generated by their incompatibility, the rest by the xenophobic land in which they once, as fellow Americans, belonged. In “Fairground”—another dystopian romp—our narrator is taken to a public hanging at age 6 or 7 or 8 by Mr. Montgomery, his stepfather at the time. Why go to a hanging? Because going to executions “was what fathers did with sons.” The hanging is in the high school football arena, and Mr. Montgomery buys the narrator a “jumbo-sized” popcorn and excitedly explains “how in his day they didn’t have hangings, but shot the condemned instead. In his father’s day, they were beheaded with silver sabers, and so on down the line: guns, swords, poison, fire.” Meanwhile, the narrator muses about Mr. Montgomery’s impermanence in his life, which is obvious to him if not to Mr. Montgomery. Sayrafiezadeh’s collection is mostly masterful and always fun, but its final story, “A Beginner’s Guide to Estrangement,” may be its most affecting. Here our narrator is Danush Jamshid, aka Danny McDade, who is nearly 35 years old and has seen his biological father only twice in the last 30 years. Now, despite the State Department’s level 4 travel advisory, he has flown into Tehran to visit his aging father. But given the fraught political history between the U.S. and Iran, and given the fact that Danny’s father abandoned Danny and his mother…well, both parties know this reunion, which is supposed to last just five days, constitutes their last chance to build what could have been a lifelong relationship. An elegy for a more united past? A warning against a less united future? A lyrical sequence of stories about infinitely various forms of personal and familial and political estrangement that we fragile humans allow to define our lives? All of the above? Check.

Lyrical, funny, smart, and heartbreaking.

Pub Date: Aug. 10, 2021

ISBN: 978-0-393-54123-6

Page Count: 192

Publisher: Norton

Review Posted Online: June 1, 2021

Kirkus Reviews Issue: June 15, 2021

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THE GOD OF THE WOODS

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

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Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.

One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

Pub Date: July 2, 2024

ISBN: 9780593418918

Page Count: 496

Publisher: Riverhead

Review Posted Online: April 13, 2024

Kirkus Reviews Issue: May 15, 2024

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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