Good for a few laughs but ultimately unsatisfying.
When a 28-year-old aspiring screenwriter gets dropped by her agent, she tries to pitch her script to her former University of Texas professor Matthew McConaughey.
In the eyes of her strict Indian parents, Isha Patel is little more than a disappointment. She’s 28, living at home, and a two-time college dropout who was majoring in, gasp, theater and film. Isha manages to make ends meet on a meager salary from her freelance communications job, but her dream is to become a famous screenwriter. She tells herself that her latest script, The Avenged, is her “ ‘lucky eight,’ because it turned out that ‘lucky seven’ wasn’t a thing after all and we were way past ‘third time’s a charm.’ ” Isha knows that she'll succeed soon enough—how can she not when she was mentored by UT royalty Matthew McConaughey in a screenwriting class, even if that was years ago already? While waiting for her agent to book meetings with producers, she spends most of her time hanging out with her younger cousin Rohan. He introduces Isha to a new pub run by two brothers who just happen to have a connection to McConaughey. Isha swoons over Tarik, one of the brothers whom she immediately nicknames Thirst-Trap. Wildly hungover from a night of sampling Tarik’s fruity drinks, she bombs a last-minute pitch meeting her agent set up for her. Her agent promptly drops her, and a second, more self-pitying trip to the pub with Rohan leads to bar fighting, dumpster diving, and breaking into the grounds of McConaughey’s Texas estate…just in case he’d like to read a few pages of her script. Patel’s latest rom-com is full of slapstick humor, but Isha’s missteps often feel cringeworthy. Her clumsiness is more exasperating than endearing, and it’s a wonder that Rohan and Tarik put up with her drunken charades.
Good for a few laughs but ultimately unsatisfying.Pub Date: Feb. 14, 2023
ISBN: 978-0-593-54783-0
Page Count: 336
Publisher: Berkley
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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