A searing exposé of corporate criminality and its governmental enablers.
Harrowing account of a latter-day revolt of people who were essentially enslaved—in 21st-century America.
Following Hurricane Katrina, the shipbuilding steelyards of Mississippi’s Gulf Coast needed welders and pipe fitters. India had many such workers, and a local so-called immigration lawyer teamed up with a couple of recruiters, one a former police officer, and, for a hefty fee, promised green cards to anyone who traveled to America. As immigrant rights activist Soni writes, one of those workers, who had spent years as a laborer in the United Arab Emirates, saw through the scheme, realizing that “any seasoned migrant worker knew that America let in only those with elite educations.” Still, with promised wages approaching $54,000 per year, he bit, landing in a work camp where the pay was not as promised, the food was execrable, and the treatment of workers was straight out of the antebellum South, complete with an updated version of a slave catcher. Said one overseer, “Our Indians have been dropping with sickness like flies.” Because the workers’ complaints were ignored, some decided to orchestrate the “great escape” of Soni’s title and, with the author’s help, organized a protest that took them on a march on Washington to demand justice. Writing with a sharp sense of irony, Soni recounts how the Department of Justice flubbed the initial investigations while Immigrations and Customs Enforcement actively colluded with the Mississippi shipbuilders against the workers. Soni and the workers hit plenty of dead ends as they tried to enlist the support of the liberal lions on Capitol Hill since “we were stuck in the minds of their congressional staffers as another ‘Interest group.’ ” In the end, even though the workers exposed “one of the largest human trafficking schemes in US history,” no charges were brought against the company or the scammers, a maddening conclusion to Soni’s agile account.
A searing exposé of corporate criminality and its governmental enablers.Pub Date: Jan. 24, 2023
ISBN: 9781643750088
Page Count: 368
Publisher: Algonquin
Review Posted Online: Nov. 11, 2022
Kirkus Reviews Issue: Dec. 1, 2022
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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