by Salar Abdoh ‧ RELEASE DATE: Feb. 1, 2000
A young Irani spy is sent to New York to coordinate an intricate web of terrorism and espionage following the 1992 World Trade Center bombing. Sami Amir, like most good spies, is adept at moving between opposing worlds. The son of an American mother (whom he never knew) and an Iranian father (whom he rarely met), Sami was raised in a Catholic boarding school on the outskirts of Tehran. Although a Muslim, his features are fair enough and his English is good enough for him to pass for a Greek or an Italian, and with no family to speak of, he’s free to travel without anyone curious about his whereabouts. The perfect CV for a spy? That’s what they thought at —the Office,— a secret government agency in Tehran where Sami is transferred after an unhappy stint beating up dissidents in the army. Trained as an overseas operative, he’s sent to New York quietly, on his own passport, and told to meet his contacts and wait for instructions. New York is a confusing place at the best of times, but for an Arab spy-without- portfolio it’s like Babel once the tower has toppled. Sami soon discovers many of his contacts are Muslim terrorists connected to Section 19, an extremist fringe of Iranian intelligence that has been fighting the Office for power since the 1979 revolution and may have been behind the World Trade Center attack. Now Section 19 is planning a wave of activity for the Christmas holidays. Sami is supposed to keep his eyes open and report home, still unsure whether Section 19 is his ally or his foe. The extremist group is not sure either—which means no one is willing to turn his back on Sami until after the fireworks. Merry Christmas, everyone! A run-of-the-mill potboiler/first-novel, spiced up with some nice Manhattan locations, but nothing special overall.
Pub Date: Feb. 1, 2000
ISBN: 0-312-20954-1
Page Count: 240
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1999
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by Salar Abdoh
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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