Dazzling designs and the dexterity required gears these bright glimpses toward preschoolers rather than toddlers.
Gorgeous patterns peel away layers of color and depth within this kaleidoscope.
A die-cut circle frames the center of the device, and each turn of the page adds a different, textured nuance with scallops and points. Viewing the shapes and colors with the textured lens embedded in the cover causes them to emulate the effect of a real kaleidoscope. The text takes readers through the seasons, turn by turn, as leaves drop, rain falls, and snowflakes drift to the ground. The typography swirls and swoops, contributing to the feeling of movement both visually and linguistically. “Steeping, steaming, / lemon squeezing. / Tipping, pouring, / soothing, pleasing.” The words mimic the movements of the steam, floating up from the cup. Bold backgrounds extend from one side of the scene to the next. Mechanically, the manipulation of the embedded lens is a challenge, the wheel requiring more coordination than the toddler set can provide. Due to the small parts included, the warning label discourages children younger than 3 from independently poring over these pages.
Dazzling designs and the dexterity required gears these bright glimpses toward preschoolers rather than toddlers. (Board book. 3-4)Pub Date: April 3, 2012
ISBN: 978-0-316-18641-4
Page Count: 18
Publisher: LB Kids/Little, Brown
Review Posted Online: May 29, 2012
Kirkus Reviews Issue: July 1, 2012
The flimsy construction and poor art and verse make it ill-suited for older children, too.
In this “pull-the-tab book about the seasons,” a chick and a bluebird visit the same tree throughout the year.
Readers pull none-too-sturdy sliding panels to alter the tree’s appearance. In the four internal double-page spreads, autumn leaves fall off the tree, snow covers it, blossoms speckle it, and apples change from green to red in this before-and-after interactive feature. The graphically flat art in springtime colors is rather fussy; the striped backgrounds resembling wallpaper patterns in various muted hues are an odd choice for these outdoor scenes. The rhyming verse, with stilted line breaks, describes the birds’ reactions to the changing seasons: “Chick Pea and Sweet Pea look up and see / new leaves and flowers all over the tree! / But the flowers drop their petals. / They’re starting to fall. / And Chick Pea is trying to / catch them all.” The pull-tab also reveals an additional couplet in which an unseen narrator reassures the critters and gives hints as to what the duo will see next season. While is does not point to any choking hazards, the fine print on the back of the book states that it is “Not suitable for children under 3 years of age.”
The flimsy construction and poor art and verse make it ill-suited for older children, too. (Board book. 3-4)Pub Date: April 1, 2013
ISBN: 978-0-7641-6593-1
Page Count: 8
Publisher: Barron's
Review Posted Online: May 1, 2013
Kirkus Reviews Issue: July 1, 2013
This is a shame, as the mix of graphic simplicity and innovative tactile format would have made both of these delightful...
A bold, graphic and tactile introduction to colors.
On the thicker-than-normal board pages, part of the page is cut away to create a shaped indentation. Glued to the facing page is part or all of the positive space that was cut from the other side. On the first spread, a red, raised apple is fixed to the left-hand page. The right side features the inside of the apple, which is evoked by the apple-shaped indentation with two seeds floating in the center. This inventive format works its way through the other hues, one of the most clever being a blue submarine paired with a submarine-shaped, white whale indentation. The minimal text simply labels one color per page. The last double-page spread features a collection of balloons that mesh with an artist’s palette on the facing page as the text asks, “So many colors! Which one is your favorite?” Using strong shades and solid and white backgrounds, Deneux’s style is clean, clear and graphically appealing. The companion title, Opposites (978-1-4521-1725-6), uses the same format, but the technique of matching negative and positive space is even more apropos here. Prime examples are the “empty” and “full” fishbowl and the “heavy” elephant paired with a “light” elephant-shaped cloud. Compromising the usefulness of both titles is the legal warning on the back of both books that states that it is not for children under 3.
This is a shame, as the mix of graphic simplicity and innovative tactile format would have made both of these delightful additions to the board-book canon; as it is, they represent choke hazards to babies and toddlers, who would most benefit from them. (Board book. 3-4)Pub Date: Oct. 1, 2013
ISBN: 978-1-4521-1726-3
Page Count: 20
Publisher: Handprint/Chronicle
Review Posted Online: Sept. 15, 2013
Kirkus Reviews Issue: Jan. 1, 2014
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