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TAKEN BY THE SHAWNEE

A novel that condemns white colonialism, offering crucial insight into life for American Revolution–era women.

Inspired by a family document, Bingham writes the story of her ancestor Margaret Erskine, who was captured by the Shawnee people in 1779.

As the book begins, Margaret and her husband and children leave their home in Virginia on horseback to "discover" America. Margaret believes all the prejudices about Native Americans held by white settlers; she both fears them and thinks them inferior. On their way west, her party is ambushed by the Shawnee. The violence of the attack stuns Margaret, but her remarkable resolve to live testifies to her inner strength. Claimed by the Shawnee as one of their own, Margaret must adapt to a radically different way of life, and her open-mindedness and adaptability enable her to assimilate quickly. Learning the language, adopting Shawnee dress, and laboring alongside her new Shawnee family, Margaret finds that her knowledge of medicinal herbs and ability to nurse ailing infants and elderly people back to health set her apart from other captives. She soon realizes she’s pregnant with her husband’s child and must undergo the Shawnee birthing ritual—delivering her son alone, in a hut, far away from the encampment. The infant’s paternity is the subject of rumor, and her son’s Shawnee instincts raise further suspicion. After four years, Margaret is ransomed by her friends in Union, Virginia, but her deeply felt reluctance to return is reinforced by their immediate suspicion of her son’s parentage, leading to an isolation from her peers she never truly overcomes. Although Bingham’s plain prose lacks subtlety, the novel paints a compelling portrait of womanhood in this era. Crucially, the author depicts the violence of the period as integral to the colonial project, dismissing any propagandistic delusions of one-sided "savagery" and instead depicting each culture without romance or bias.

A novel that condemns white colonialism, offering crucial insight into life for American Revolution–era women.

Pub Date: June 4, 2024

ISBN: 9781885983367

Page Count: 232

Publisher: Turtle Point

Review Posted Online: April 5, 2024

Kirkus Reviews Issue: May 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE GOD OF THE WOODS

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

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Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.

One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

Pub Date: July 2, 2024

ISBN: 9780593418918

Page Count: 496

Publisher: Riverhead

Review Posted Online: April 13, 2024

Kirkus Reviews Issue: May 15, 2024

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