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THE BUTTON GIRL

A purposeful and absorbing exploration across dark and rocky terrain.

A headstrong teenager becomes a slave in this debut novel.

As a 6-year-old, Repentance lost her little brother to the overlords. Ten years later, on the day of her buttoning ceremony (an arranged marriage), she refuses her betrothed. She vows never to have children of her own who can be taken away. Instead, she forfeits her freedom. Her decision seems irrational. It shames her family and condemns her betrothed, Sober. The two of them are enslaved. They are taken from their village’s foggy swamps to the ice city of the overlords. Here, Repentance learns the true cost of her defiance. She has become property—a human possession to be done with as the overlords see fit. Slaves who try to escape are punished with death and their families taken as compensation. Sober is beaten; Repentance is sold to a brothel. She despairs for herself but even more for her sister should Repentance continue to buck the overlords. More than ever, her situation seems hopeless. And then she catches the eye of the old king. Apokedak crafts a rounded fantasy world—from the village with its superstitions and traditions to the city with its magical cloths. But for all of its exotic settings, this book is concerned primarily with slavery. Human dignity is the prevalent theme. Iniquities flourish, and Repentance, though a strong-willed protagonist, is faced with a disheartening truth: that fighting against the system will not always make things better. The story in this sense is a difficult read. But its subject matter is leavened by clear prose and well-drawn minor characters. Repentance finds something genuine in the people she meets. She questions her choices and, through the strength of others, finds hope, of sorts, even in situations where none should exist. This may not be enough to sustain some readers, but the author has paced events nicely. As Sober comes back into Repentance’s life, the plot both tightens and unravels. By the third act, readers should hope, fear, and thrill to the prospect of a happy ending.

A purposeful and absorbing exploration across dark and rocky terrain.

Pub Date: July 21, 2017

ISBN: 978-1-947446-00-7

Page Count: 398

Publisher: Paraklesis Press

Review Posted Online: May 18, 2018

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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