A purposeful and absorbing exploration across dark and rocky terrain.
A headstrong teenager becomes a slave in this debut novel.
As a 6-year-old, Repentance lost her little brother to the overlords. Ten years later, on the day of her buttoning ceremony (an arranged marriage), she refuses her betrothed. She vows never to have children of her own who can be taken away. Instead, she forfeits her freedom. Her decision seems irrational. It shames her family and condemns her betrothed, Sober. The two of them are enslaved. They are taken from their village’s foggy swamps to the ice city of the overlords. Here, Repentance learns the true cost of her defiance. She has become property—a human possession to be done with as the overlords see fit. Slaves who try to escape are punished with death and their families taken as compensation. Sober is beaten; Repentance is sold to a brothel. She despairs for herself but even more for her sister should Repentance continue to buck the overlords. More than ever, her situation seems hopeless. And then she catches the eye of the old king. Apokedak crafts a rounded fantasy world—from the village with its superstitions and traditions to the city with its magical cloths. But for all of its exotic settings, this book is concerned primarily with slavery. Human dignity is the prevalent theme. Iniquities flourish, and Repentance, though a strong-willed protagonist, is faced with a disheartening truth: that fighting against the system will not always make things better. The story in this sense is a difficult read. But its subject matter is leavened by clear prose and well-drawn minor characters. Repentance finds something genuine in the people she meets. She questions her choices and, through the strength of others, finds hope, of sorts, even in situations where none should exist. This may not be enough to sustain some readers, but the author has paced events nicely. As Sober comes back into Repentance’s life, the plot both tightens and unravels. By the third act, readers should hope, fear, and thrill to the prospect of a happy ending.
A purposeful and absorbing exploration across dark and rocky terrain.Pub Date: July 21, 2017
ISBN: 978-1-947446-00-7
Page Count: 398
Publisher: Paraklesis Press
Review Posted Online: May 18, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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